So there I was, standing on a little finger of land between two streams with my jacked-up Götavi grid drop-cloth. I was on my magical experiment bullshit again up a mountain in WV, perfumed with eau de DEET and wishing it wasn’t so fucking humid.
Crunch time had come; it was time to test my working theory. And come Hel or high water, I was going to test it—sweat patches and all!
(Oh the glamour!)
But wait, I’m getting ahead of myself here. Allow me, dear reader, to wind things back a little.
The Story So Far
This series began as a single post that was supposed to stand alone. But the more I wrote, the clearer it became that I had too much to say on this topic to fit in a single post. Eventually (and much like my antiperspirant in WV), I had to concede to a greater force, and thus this series was born.
If this post is the first you’ve seen of this series, I encourage you to go back and read the rest in order. There have been five posts so far. Five posts filled with research, musings, and discussion that you won’t want to miss out on going forward. It’s all necessary context for what comes next. I’ve even linked them below to save you the trouble of hunting them down.
Why Is Life So Busy?
It’s been a while since the last installment and you may have been wondering where I was. Well, life got kind of exciting! I got jumped by a bunch of deadlines and facilitated a week-long devotional magical practice for the Cult of the Spinning Goddess group. I also held some community-building events called Spin ‘n’ Witches, gave a class, and kicked off a podcast with Morgan Daimler. In the middle of all of that, I’ve also been working on several books, learning Japanese with my kid, and studying Welsh (as well as doing all the usual life-y stuff).
And that’s even without mentioning my personal magical practices (both the daily and experimental). For me, there are no words on the screen without the dirty boots, sweat patches, and magical adventures. As weird as it may sound, this kind of work is also really whole-making for me, a key part of my wellness. It’s a good portion of the roots that help the tree that is me to grow.
In one way or another, practice forms a large part of the foundation for pretty much everything I produce. And I will absolutely move some projects to the back burner if it means reclaiming some time for the work that makes my souls sing. Which is what happened to these blog posts for a while, and I’m never going to apologize for that.
But anyway, as Machine Gun Kelly and/or Corpse Husband say/s in their joint masterpiece, Daywalker: “I came back.”
From Books To Boondocks
When I last left you, I’d just finished talking about the research and planning phases of magical experimentation. In this post, I’m going to talk about that first experiment and how it all shook out. This is where the gnosis is really going to start to come in. If that isn’t your thing or reading other people’s gnosis makes you rage, then I advise you to hit the back-button.
Don’t say I didn’t warn you.
For those of you who stick around, I hope these posts serve to illustrate how wonderful it can be when research and gnosis meet. Because frankly, it’s amazing and I hope some of you feel inspired to go make your own magical adventures.
Before we go any further though, did you know that the word “boondock” comes from the Tagalog word bundók, meaning “mountain”? If I ever get to name a mountain, I’m calling it “Bundók-Pendle Mountain” so it means “Mountain, Hill, Hill, Mountain.” You know, as you do.
Prologue To An Experiment
So anyway, I initially began researching the grid in 2019. However as it turns out, nothing wrecks plans for magical mischief and mayhem like a global pandemic. But by the time May 2021 rolled around, things seemed to be getting back on track thanks to the advent of the first COVID vaccine. So I booked a cabin up a mountain in West Virginia with a couple of friends. We were going to hang out, do the experiment, then hang out some more.
When it came to the experiment though, my friends realized they weren’t actually all that comfortable with active participation. One was concerned about the possibility of adverse effects on their health issues, and the other just didn’t want to do something with such a high degree of uncertainty attached.
These were both sensible concerns. Some forms of magic really aren’t good to participate in if you’re already sick. And some people have vulnerable folks in their care to think of too. So while I would have loved for them to have also taken part, I’m also really glad they didn’t. When you’re attempting to work with historical magic in this way, you need to know and be honest about your limits. And I’d much rather my friends tell me “Hey, this isn’t for me,” than participate and have something potentially bad happen to them.
Instead, my friends acted as observers, which meant my experiment also had the benefit of an outside perspective as well.
And that was one hell of a silver lining.
Back To The Experiment
Anyway, back to that little finger of land between two streams (and those sweat patches).
Before setting up, I made offerings to the local spirits and explained what I was going to do. The mountain was active; I’d been catching glimpses of the local beings since I’d arrived. It would have been rude to not ask.
There was a sense of acceptance toward my request, but also the feeling that it was only good until nightfall, and so I proceeded. Despite my earlier plans to set up the grid after circumambulating, I quickly realized I wouldn’t be able to see where I’d walked without first setting up the grid. The ground was too uniform to discern marker points. So I opened the grid and set up posts at the north-northeast edge.
From that point on, the set-up went pretty much as planned. I circumambulated the space counterclockwise and made an offering of wine to Hel, asking her to allow temporary passage for some from her realm. Then I settled at the southwest edge of the grid.
According to my notes, I heard a male voice while circumambulating but couldn’t make out what he was saying so began to sing the dirge. Whenever I sing this dirge in ritual, I do so in a light trance in order to visualize/see the journey between the realms. This time when I peered at the road, I saw a blonde-haired man dressed in a white tunic.
A suspiciously shining man, as it happened.
As I finished the song, I heard what sounded like geese. And when I checked doorposts to the north of the grid, to my satisfaction, the space between the posts appeared “pixelated.”
There was a cool breeze like wove its way like a ribbon through the trees and the skies above grumbled, three thunderous complaints.
“Yes!” I remember thinking to myself. “This is working just like I thought it would!”
The Curveball (Because What’s An Experiment Without One?)
But that’s when the shift happened and my working theory went down like Das Boot. I’d originally theorized that the grid worked like other intermediary spaces I’d worked with like as crossroads effigies and doorposts. However, the shift that had taken place was more like what I’d experienced in my mound sitting experiments instead. When I’d sang the dead through doorposts or crossroads effigies in the past, I’d felt them enter into the space. Usually, their entrance came with a cool breeze that flowed from whichever medium they’d passed through. But most importantly, all of this would take place within an intermediary space rooted in this Middle Earth.
My experience with mounds though, is that the space shifts so that it’s no longer rooted in Middle Earth. It reminds me of the difference between being inside a different nation’s embassy while still within your own country and in your nation’s embassy while within another country.
Recognizing that feeling from those experiments with mound sitting, I moved onto the cloth, my ears filled with a buzzing that sounded like white noise. The cloth felt cool to the touch, and I had the feeling that someone was on their way.
I was both shocked and delighted by the discovery.
Unfortunately though, that thunder had only heralded a coming storm. I wasn’t able to spend as much time feeling out my discovery as I would have liked. So I began the process of wrapping things up. I sang the dead back and made offerings of gratitude to Hel. Then I closed down the doorposts and grid, before circumambulating clockwise to return the space back to how it was before.
(Or so I thought.)
The Experiment: Observer Perspective
From talking to my two wonderful observers, I learned that during the circumambulation they’d seen the leaves to the north of me appear to “twitch.” From their perspective, it appeared as though whoever was making the leaves twitch was moving toward me.
One observer seems to have seen the same ribbon of wind I’d seen, and described it as coming from the east, before veering to the north, west, and south to wrap around the space. What’s especially interesting to me is that this ribbon of wind seems to have moved counterclockwise as I had during the circumambulation.
The next main observation was that as I was getting into the rite, a big bee appeared in front of the door to the covered porch they were observing from. Apparently, this bee seemed to be trying to get in and was loud enough to drown out my voice. They (as in the bee) went on their merry way again once the rite had ended.
The Aftermath I
As I mentioned before, I only had the benefit of observers because my friends hadn’t felt comfortable with active participation. Again, I’m going to reiterate the fact that you really don’t know what’s going to happen when creating magical experiments based on historical sources, places, or objects. And this is also true for the aftermath.
The first thing I noticed in the aftermath was that I kept seeing the blonde man in the white tunic in the land outside. There was something very elven about him, but his presence confused me at that time given my location. (Now I’m a few more experiments in with the grid, his presence makes total sense.)
The next thing I noticed was that the cloth itself had a certain energy to it, and was still chill to the touch. The lights in the cabin dimmed as I brought it in, and one of my friends expressed the concern that it might not be safe to drive with in the car. Agreeing with her, I worked up a quick and dirty chaos magic sigil for containment on a plastic bag big enough to hold the cloth and stuffed it in.
The room visibly brightened.
Once that was taken care of, I made sure to purify myself as I always do after clarting around/potentially clarting around with the dead and settled in for the night.
The Aftermath II
The afternoon gave way to the evening and eventually night. We ate dinner together and got comfy in the lounge to hang out and shoot the shit. After a while though, we began to notice that there were creaking noises coming from an empty wooden chair in the lounge area. It sounded exactly like the kind of creaking older chairs make when someone moves, shifting their weight. Curious, I put my hand out to feel the space and felt a cool presence there.
We had an unseen guest.
He (because he felt like a “he”) would remain with us for the rest of the evening and into the next morning.
When something like that happens, I generally find that you have a few options. You can ignore them and hope they don’t cause trouble. Another option is to kick them out. But my preferred option (at least in this case) was to offer him hospitality in the form of a cup of mead in exchange for him being a good guest. There can be a level of protection in the host-guest relationship, and when it goes right, everyone leaves happy.
And he was a good guest, though he would show his displeasure by creaking his chair and flickering the lights whenever we talked about other ghosts who were assholes while trading stories. Whenever this happened, we’d reassure him we didn’t mean him and he’d calm down again.
It was a real “not all ghosts” moment.
After the After-Aftermath
So that was the first experiment with the grid. Looking back, there were a lot of mistakes and my working theory was just plain wrong. However, this is all par for the course with this kind of magical experimentation. If that’s not something you can handle—that uncertainty—then I recommend you steer clear of this work. You need to be able to think on your feet and McGyver solutions relatively quickly. And I’m not saying that to be an elitist. It’s just that there’s so much you can’t know or plan for as the first human (often) to work with a space/object/kind of magic in a thousand-or-so years.
But that uncertainty and those first experiment fuck-ups is where the next step comes in: evaluation and optimization. And that is what I’m going to talk about in the next post in this series.
Be well.
them life. And this is where Óðinn steps up and breathes önd into them.
with magic and necromancy. And we can infer that Skaldic craft was itself considered magical. We can also look at the story of Egill Skallagrimson covering his head with his cloak in order to compose poetry in Egill’s saga, and possibly infer certain practices related to the getting of inspiration (as Jón Hnefill Aðalsteinsson theorizes in <em> Going Under the Cloak</em>).
‘divine breath’ to fill the poet, bringing vision and other spiritual gifts.
in Northern Iceland. I’d just been under the cloak and was thinking about the stories surrounding the falls when I found myself wondering about Óðinn in Iceland. Suddenly, my attention was drawn to the sound of heavy wing beats that somehow sounded louder than the roar of the waterfall. Two ravens were flying across the width of the falls and their wings were all I could hear. Time became weighty and the world more ‘real’. I became intensely aware of my breath, and suddenly I was not just myself anymore but engaging in a communion of sorts with the winds, the world around, and a certain one-eyed god. I was a part of the whole rather than a singular being. The ravens turned and flew towards me until they drew level and veered away, taking the moment with them.
and discussion. So if you’ve got an hour or so (it’s probably going to be between 1-2 hours) on 9/15 at around 3pm, join me for a crazed exploration of the history, purpose, and ways in which magic circles can be tweaked. Can’t make it? The class will be recorded so participants can listen later!
Legitimate lineages (however they’re judged) can be excellent for a number of reasons though. Because not only do you have access to a far more systematic way of learning, but you also have the safety nets of more experienced elders as well as the lineage itself. If you are interested in a tradition that has lineages then you should absolutely do the work and enter in the correct way. In some cases, it can actually be dangerous to you if you don’t.
England, and I was the weird kid everyone else came to ask about getting the “power of Manon” when the movie The Craft came out.
through the bottom of my boots. Then (usually at the top of a hill), I would fall to the ground to thank the hills when the knots around my heart lifted.
beings that inhabit them. And a place and its inhabitants may be one way on one day, and completely different on another day. Even if you’ve been somewhere before, never assume that a place is going to be or feel the same when you go back there. Keep on top of your basic witchy skills, and
vending machines for favors (in exchange for some pretty subpar offerings)?
over but cohabiting with. Where are you in your “neighborhood”? Who do you need to avoid pissing off and who do you need to give a little more care and attention to?
magical attack. Because if you place too much belief in the possibility of being cursed or attacked, then it’s all too easy to see malefic magic and psychic attack at every turn and become paranoid. There’s also a lot to be said for self-fulfilling prophecy here – especially with the more magically-minded. But if you refuse to even consider the possibility, then you run the risk of missing some of the earlier warnings and allowing things to become far worse.
This is where it gets pretty tricky, and also why you shouldn’t just rely on one thing when assessing whether or not you’ve been cursed. However, a good starting question to ask yourself is if what is happening is logical given the surrounding causes and conditions. For example, if you happen to lose your job and your house is foreclosed on during a time of economic downturn, it’s easy to see the circumstances at the root of your situation.
by accident from others, or the result of a curse directed at you.
dying off, then there’s a chance that someone is working against you. This is especially the case when this happens in conjunction with any of the other factors mentioned here. Some folks also keep an egg on their altar as a kind of hex alarm and watch for it breaking. Of course, you may go through quite a few eggs, and will need to remember to change them out if you opt to do this.
often forgotten. And I get it, it’s easy to lose your head when you suspect that magic is being thrown around – especially if you’re already a little battle-scarred before figuring out what’s going on. However, if someone is working against you and you give into that fear, you help them in their cause.
middle of them, and although I haven’t really found good scholarship on them, my experience has been that these are both effective tools and apotropaics. They’re protective against the Unseen, and allow you – again, in my experience – to see through glamours and things that are normally unseen if you look through them.
general because it has so many uses. You can use it to salt boundaries, protect, and banish. But black salt is just taking regular old salt and leveling it the fuck up! The addition of iron, ash, and (in my case) ground wolf bone, makes black salt an excellent addition to a go-bag. It’s like an apotropaic powerhouse!
energy that might “grow up” to get its own ideas and start its own trouble. Spun fiber can provide a bridge, delineate space, and serve as an offering in its own right. I have two spindles that I typically use in ritual work: one is a collapsible spindle that fits in my bag; and the other, 
my large one, was a gift to thank me for help given. I adore my large one because it feels weighty and authoritative – like a wand. It’s something I’ve wielded in ritual before now when opening portals and working my will. The collapsible one lives in my purse (yes, it’s that small) along with the sheep knuckle I use for yes/no divination.
resonance to this item that just works. I’ve engraved it with words of power (which I won’t show here), and it’s one of my favorite spirit weapons for subduing, setting up some hardcore protective space, or for when things go bad. I don’t know whether it’s wholly iron or steel (which is mostly iron anyway), but it’s kickass anyway.
This is one of my more McGyver-type items. Red thread can be used to bind and protect, or create new items (like a crossroads effigy or protective rowan cross). It can also be used for knot spells, marking off space, and much more. The yarn I use is hand spun with intent and then ritually consecrated.
living. But their visits also brought sickness, and that’s just what they brought to the people of a place called Frodis-water.
some of those laws might be. I am going to infer one right now: that our rights to this world are lost when we breathe our last.
The story of the door-courts suggests that both living and dead are equally bound by the law. We also see this reflected in the burial customs of those deemed to exist outside the protection of the law. These were often the criminals left to rot at the crossroads, those buried in unhallowed grounds, and those who were too young at the time of their passing to be formally accepted in a community (Petreman “Preturnatural Usage”). Is it any coincidence that the materia magica sought from the human body came most often from these sources? Is it also coincidence that those were the sources thought by the Ancient Greeks to carry the least miasma (Retief “Burial”)? To exist as dead inside the protection of the law is to sleep soundly – or at least it should mean that. Of course, there have always been violations as Burke and Hare could well attest.
the holy powers, but fire also played an important role in property ownership too. For the Norse, carrying fire sunwise around land you wished to own was one method of claiming that land (LeCouteux 89), and under Vedic law new territory was legally incorporated through the construction of a hearth. This was a temporary form of possession too, with that possession being entirely dependent on the ability or willingness of the residents to maintain the hearthfire. For example, evidence from the Romanian Celts suggests that the voluntary abandonment of a place was also accompanied by the deliberate deconstruction of the hearth. And the Roman state conflated the fidelity of the Vestal Virgins to their fire tending duties with the ability of the Roman state to maintain its sovereignty. The concept of hearth as center of the home and sign of property ownership continued into later Welsh laws too; a squatter only gained property rights in a place when a fire had burned on his hearth and smoke come from the chimney (Serith 2007, 71).
fires burning. To maintain the hearth was to maintain possession of property, and to maintain the hearth, a woman was required. (Or several, if you happen to be the Roman state.)
Having said that though, 
of the matter is that magical practitioners have been finding helping spirits and making pacts with them for a very, very long time. And like wands, familiars traverse a wide range of different cultures (albeit under different names – obviously).
Wilby’s period of study. Hall traces a pattern of witches working with mound-connected elves from the tenth century Old English magico-medical charm Wið Færstice and term ælfs?den (literally “elf-Seiðr”, or “elf-magic”); to Martin Luther’s account of being “shot” by a neighborhood witch; and finally to Isobel Gowdie’s accounts of encountering the Queen of Elfhame in a mound and seeing elves fashioning the shot. I personally take it somewhat further and point to the portrayal of Frey and Freyja in the Ynglingasaga. Freyja as the sacrificial priestess (and as we know, goddess associated with the form of magic known as “Seiðr”) ends up overseeing the cult to her brother, Freyr (who is associated with elves), even as he lies in the burial mound. The people bring offerings to the mound for peace and good seasons, and so even in death, he possesses a power that his sister does not.
” The transfer of George was further complicated by the queen of the Lowlanders, who demanded that Goodwin stop attempting to have George as his own personal spirit. At first Goodwin was a little resistant, but the queen insisted that if he would not willingly show her this preference, he should never see any of the Lowlanders. She wanted to be his number-one contact with the spirit world. Goodwin had little choice but to agree to her terms. As a consolation, George agreed to answer any questions directed at him as long as Goodwin turned his back and did not look directly where George stood. However, Goodwin could not understand the spirit very clearly, as he spoke in a low, soft voice close to Mary’s ear. So throughout their relationship, Goodwin relied on Mary to communicate with George.” 
“Whether or not there are two set courts of Fairy, one thing that is clear is that the social structure does seem to operate as a hierarchy ruled ultimately by kings and queens. When we look at the bulk of the folklore it is usually a Fairy Queen who holds power, often with an unnamed King at her side or else ruling alone. In only a few Irish examples do we see solitary Fairy Kings. In the later folklore and ballads the Fairy Queens and Kings are often unnamed, going simply by their titles, but in older mythology and some local folklore we do have examples of named Fairy Queens and Kings, often beings who we know were once Gods.”
because they are the most powerful. Power is a universal passport to authority other others, and it doesn’t matter if a spirit or fairy belongs to a particular court or hierarchy, inherent power is always recognized. Especially by those who appreciate the ability to size up and not antagonize those who are stronger as an excellent means of ensuring continued existence.