Reconstruction and Gnosis: Building Experiments II

Welcome back to my series taking a look at blending reconstruction and gnosis! This series has grown to be a monster, and I still (shockingly) have so much more to say.
But this post is where we finally start to translate that research/gnosis/prior results/experience into practical application. (I mean it this time.)

So, let’s jump right into the fuckery. And as always, we begin with a working theory.

My Working Theory (Take One)

When I put my first Götavi grid experiment together, my working theory was that the grid was a way to call up the dead. You know, some good, old-fashioned, pants-shitting necromancy.

By that point, I’d already experimented with calling up the dead. I’d worked with doorposts and crossroads effigies and sang them forth with dirges. And at the time, I thought the grid might work in a similar way. My expectation was that it would create some kind of portal with similar effects to what I’d experienced before. Effects like a discernible drop in temperature, “winds” that seem to move with intent, noises, apparitions, psychic communication etc.

But hindsight, as they say, is 20/20. Looking back now, this working theory is laughable—a massive oversight.

It was also far from my only fuck-up as well.

If you get this, you’ve probably gone a little too far and may need to consult this helpful post for advice on dealing with “Code Draugar” situations.

But mistakes aren’t just to be expected in this kind of work; they often turn out to be the best teachers we have. Without my mistakes, I literally wouldn’t have the insights I have now or a workable grid practice.

Like the late, great Bob Ross used to say, “We don’t make mistakes. We just have happy accidents.”

(Unless of course those mistakes get you killed, and then we replace “happy” with “deadly.”)

As an aside, did I mention this isn’t exactly safe?

Reconstruction And Magical Stories

Once you have your working theory (as jacked up as it may be), then it’s time to take a look at the components of the magical story you want to tell.

You may have noticed that I think of magic in terms of story. And there are a whole bunch of reasons for this. But for now, let’s just say the story analogies in this post are an easy way to convey a lot of ideas relatively quickly.

Now, think back to the post covering the research phase of this process. What did I do?

Well, first I gave a description of the Götavi grid (or as I like to call it, the “Devil’s Hopscotch”). Then, I deconstructed the various elements of the grid, which included the number nine, islands/mounds, posts, the SW orientation, and kinds of offerings found. As a part of this deconstruction, I discussed similar finds and their contexts as well as any possible symbolism.

In other words: I attempted to dig into the background stories of each of those elements in order to form a theory about the meta plot.

By the end of that post, I’d outlined a range of textual and archaeological evidence supporting my initial (gnosis-based) theory that the grid’s ritual story was eschatological in nature.

Here is where we get to the question: What now?

This seems to be a sticking point for a lot of people. They’re fine with the research or fine with the woo, but find it hard to bridge the two. (Hey, that rhymes!) The transition from research to practice, and especially in a way that incorporates gnosis, can be hard to imagine. But it doesn’t have to be that way, especially not when you choose to think about magic as story.

All The Ritual Space Is A Stage…

Think about the average theater production. After all, ritual is a type of performance (a perspective the Norse seem to have shared).

Now ask yourself: What do you need to put on a performance?

You need a setting, actors, props, choreographed actions, and a script—all of which need to come together coherently to tell the story.

In the context of my grid experiment, the grid and its orientation were the setting. The actors would be the ritualists as well as any beings that showed up. From my perspective, that cast also included some of my ritual tools as well, though I know not everyone thinks that way. The choreography for the production were the ritual actions, and the script was…well, it was the script.

From studying the description of Hermóðr’s Hel-ride, scholarship analyzing conceptions of death and mounds, and potential examples of eschatology in archaeology, I even had a basic plotline from which to derive a framework. I summarize it here as follows (please feel free to write some fanfic if inspired):

“Area ritualist opens doorway to dead in symbolically potent space that possibly symbolizes the Hel-Road in order to facilitate the passage of dead into ritual space for communication.”

Ugh…I got it so fucking wrong. But hopefully you get the point about the story thing.

Reconstructing The “Stage”: The Physical Elements

I have many regrets in life, but one of my greatest is that I wasn’t born rich and therefore able to buy real estate on a salt marsh. As you might imagine, growing up barely hugging the poverty line while Maggie Thatcher broke unions and snatched milk was a huge impediment to me. (Those Poll Tax riots were pretty lit though!) The sad fact of the matter is that the intergenerational poverty I was born into not only prevented me from buying a salt marsh for weird, necromantic experiments, but also stopped me from hiring a construction crew to build a grid on that hypothetical salt marsh as well.

(In case it wasn’t clear, that entire last paragraph was sarcasm.)

Smasher of unions, snatcher of milk, ruiner of dreams. Current status: Dead (DO NOT RESURRECT. THE WORLD HAS ENOUGH PROBLEMS ALREADY.)

When I think about the utter fripperies the über rich spend their money on instead of trying to solve world hunger/the climate crisis/buying salt marshes and reconstructing (theoretical) Viking Age necromantic tech, I just…

(Okay, that bit wasn’t so much sarcasm as genuinely held sentiment about solving world hunger and the climate crisis.)

Well anyway, I don’t have those resources, so I had to get a little creative.

One of the key take-aways from the Færeyinga saga grid is that grids could be drawn and temporary.

Or in other words: no wild construction projects needed.

Now, we obviously don’t actually know for sure that the saga grid had the same design as the salt marsh grid. But sometimes you just have to say “fuck it!” and do the thing anyway. (Also, the description was pretty damn close to what the archaeologists dug up.)

Reconstructing the Grid and Posts

The easiest option for reconstructing the grid would obviously be chalking it on a floor somewhere. You could even make some ritual chalk for the purpose, incorporating layers of herbal and charm magic into the process. But as we had a carpet back then and I’d already decided the first experiment would be away from my family, I went a different way instead.

Drawing magic circles on drop cloths from the paint department of your local DIY store is old hat in the occult community. And this is the direction I decided to go in as well. So, off I toddled to my local big box LowesDepot and picked up a drop cloth and some of those jumbo sharpie markers. I also recommend picking up one of those huge wooden rulers as well if you do this and care about straight lines. (Which I don’t.)

The OG Devil’s Hopscotch was 15m x 18m or 49ft x 59ft. For those of you who measure by alligators, this would be roughly equivalent to one large American alligator wide and one large American alligator plus a fifth of another large American alligator long.

Area alligator minding their own business, completely unaware that they’re being used as a unit of measurement by metric-averse USians.

Unfortunately though, those dimensions were way too big for any space I could imagine myself using. There’s no way a large alligator would fit in my living room, and I wanted the option of using the grid chez moi if all went well. So in the end, I wound up freehanding my first grid on a 6ft x9ft canvas drop cloth and sort of said “That’ll do!” while laughing maniacally.

And here is where my second fuck-up happened.

Because I had that really unfortunate thing happen where my photograph of the grid got flipped, placing the square on the wrong side…which I then replicated on the cloth and didn’t realize until later. I also couldn’t find any photos of the grid with the directions marked out. All I knew back then was that it had a SW-NE orientation, and that the blood and fat business end of things was in the NE. I had no idea which end of the grid was supposed to be in which direction.

This, by the way, is one of the many reasons why the evaluation and tweaking stages are so important.

But anyway, I had a jacked up grid cloth to go with my jacked up working theory.

The next thing I wanted to recreate was the posts, and here is where I ran into another issue. The information in Nine Paces about their number and location is quite unclear. It could also be the case that archaeologists simply couldn’t get an accurate count of them as well. But given the prevalence of doorpost/thresholds within necromantic/funerary contexts, and me going balls-to-the-wall on my working theory, I was going to have some fucking doorposts. These wound up being a couple of fallen branches I found then chanted over before my first experiment.

Classy, right?

(Don’t worry, I’ll get to the chanting later.)

Reconstructing the “Stage”: The Action Elements

Once I had my jacked up grid, I turned my attention to recreating the island/mound element. Between the work cited in the research post and my dream about landscape/ritual space reflecting cosmology/story, I knew that I had to find a way to incorporate them into my experiment. So, I opted to do so symbolically, through circumambulation while pouring out water and chanting. As the Götavi people built the island first before the grid in the salt marsh, I decided the symbolic recreation of an island had to come first in my experiment as well.

There’s a lot of ire in some Heathen communities regarding ritual spaces that happen to be circular in shape. For many, circles are “what Wiccans do” and their use therefore automatically, “Wiccatru.” A nefarious vector for Wiccan cooties, and also probably a leading cause of men losing the ole “man card.”

“Sir, we have received reports you danced/circumambulated/expressed emotion/liked some colors other than regulation blue and maybe gray. We hereby confiscate your ‘Man Card’ (TM)! Have a terrible day, cuck!”

Okay, that was going a little too far.

However, despite these more modern ideas and the (thankfully lessening) accompanying irrational fears of things like circumambulation/drumming/entheogens/dance, circumambulation and/or turning is attested in conjunction with magic in OE and ON sources.

Circumambulation And Directionality

In the OE sources, the most obvious example is the Old English Journey Charm, the first part of which reads:

”I encircle myself with this rod and entrust myself to God’s grace,
against the sore stitch, against the sore bite,
against the grim dread,
against the great fear that is loathsome to everyone,
and against all evil that enters the land.
A victory charm I sing, a victory rod I bear,
word-victory, work-victory.
May they avail me;”

The above charm, at least according to scholars like Karin Rupp, was originally intended to be performed. In other words, the traveler was to physically turn in a circle while speaking the charm, effectively casting a protective circle around themselves. (You can read all about it here.)

There’s no mention of directionality here. However, if we look to other examples of ritual turning in the OE sources, we can infer a clockwise direction. One example of this can be found in the Æcerbot (“field remedy”) charm, a charm for removing curses or poison from agricultural land. In the charm, the ritualist is instructed to “turn thrice with the sun’s course (clockwise) as part of the preparatory stages for the main ritual in order to bless four sods from each corner of the affected field. The Field Remedy has an undeniably Christian veneer. However, Jolly considers it “highly likely” that parts of the charm are survivals of a pre-Christian predecessor that was co-opted and Christianized (Jolly, Popular Religion, 7, 26).

Outside of the Field Remedy, circles feature a number of times in the OE magico-medical manuscripts. In one adder bite charm, they’re used to create a protective circle around the bite to prevent the poison from spreading. In another charm, the healer is instructed to make a circle of animal fats and wine and another of bone within which to prepare the cure (Storms, Anglo-Saxon Magic, 41, 86).

In the ON sources, counterclockwise/withershins circumambulation is attested within the context of baneful magic. At the time when I was putting together my first grid experiment though, I only knew of a single example from Grettis saga.

In cha. 79, the “full-cunning” woman, Þuríðr, circumambulates a log backwards and against the course of the sun (ansœlis) as part of her baneful magic against the outlaw Grettir. Once she’s done, the log is then pushed out to sea where it drifts out to Grettir’s hideout on Drangey and torpedoes his remaining luck. This eventually leads to his death (Price, The Viking Way, 273)

In addition to the historical sources, I also had previous experimentation and ritual experience to go on as well. Interestingly, the results of my experimentation have aligned with what we find in the sources. I’ve found it best to circumambulate clockwise when building, healing, or performing ritual to the Holy Powers. And for baneful magic, destruction, communication with the Dead and/or Other, I walk against the sun, sometimes even backwards.

And that is how a person winds up circumambulating widdershins while chanting and pouring out water to fake a mound!

Reconstructing the “Stage”: The Power of Speech

As much as I’ve bemoaned my lack of salt marsh and construction crew in the past two posts, the fact of the matter is that they’re not actually necessary. Speech is a weighty thing in the ON sources. In the Hauksbók version of Völuspá, we’re told that (contrary to the popular perception of spinning) the Norns choose and speak the ørlög of men (Bek-Pedersen, The Norns, 182).

But the power of choice made real by fateful, weighty speech isn’t limited to Nornir. The prophecies of völur also seem to have been a matter of choice and speech as well. In cha. 3 of Hrólfs saga kraka, the völva, Heiðr, hastily recants a negative prophecy and speaks a more positive one out loud (and into being) in order to avoid physical harm. And in cha. 12 of Víga-Glúms saga, Saldís berates the völva, Oddbjörg, for what she sees as a bad prophecy for her sons with the following words:

”I should have thought good hospitality deserved something better, and you’ll be driven
away if you go round predicting evil“

(Bek-Pedersen, Nornir, 201-202.)

Moral of this story, kids? Be careful who you read or work magic for!

So, both Nornir and völur have the power of fateful speech, and more importantly, the power of choice.

But even outside Nornir and völur, speech was a weighty thing. In her book, The Norns in Old Norse Mythology, Karen Bek-Pedersen highlights multiple examples of non-magical people displaying hesitance around making future predictions lest they come true (Bek-Pedersen, The Norns, 186-191).

By the by, the word “fate” is derived from the Latin fatum, which is the past participle of the verb fari, meaning “to speak.” One way we can understand this word is “that which was spoken,” which is one of the main reasons why I continue to use the word “fate” within a Heathen context. Other reasons include compelling arguments like:

“There are six different words for different types of “fate” in ON, and we don’t have clear definitions of what they all mean anyway.”

(Source: Me bitching about ON fate words.)

Speech To Create, Speech to Manipulate

As magical practitioners, we can and should understand speech to be a powerful, world-changing act. Returning to my earlier point about magic and story, it’s important to note that speech is key to one of our oldest forms of storytelling. Nowadays though, we live in a world in which words seem cheap (even as national and global actors wield them as Noopolitical weapons.)

We would be wise to reacquaint ourselves with this power.

Perhaps the best and most useful summaries of speech as a magical tool that I’ve found comes from Shamans, Christians, and Things, a paper by Mr Frog. Ostensibly, he’s discussing the differences between the worldview and mechanics of shamanic magic and those of the tietäjä institution. But this discussion leads to some interesting considerations regarding the “Germanic technology of incantations.”. Specifically, Mr Frog argues that the underlying mechanics of the Finnish tietäjä’s charming practices are rooted within that Germanic incantation technology.

To (partially) quote Mr Frog with this wonderful summary of how charms work:

”…this was the verbal interface with ‘the unseen world,’ which it simultaneously represented and manipulated, actualizing unseen aspects of reality in order to change the experiential world.”

So, never underestimate the power of speech to create what you need when building your experiments.

The salt marsh really doesn’t matter.

Fun fact: My mum used to tell me that Maggie Thatcher would get me if I didn’t behave when I was a kid!

Speaking Into Being

To return to Mr Frog’s words above, your speech is the vehicle through which you represent and manipulate the unseen world. In my case, there were two elements I wanted to include but could not in a physical manner. The first was the water around the mound. We can interpret this water as a representation of the water the dead must cross when traveling between our world and theirs. Then there were the doorposts, which we can possibly interpret as a representation of Hel’s gate.

Working theories for rituals tend to lead to working theories about the purpose of the various elements comprising the ritual. These “second order” working theories about purpose and place in cosmology are what will allow you to create the verbal elements, or “script.”

Technically speaking, when representing otherwise impossible elements for magical experimentation, your magical speech needs to do the following:

Effectively introduce the element you wish to represent.
Locate that element within the cosmology within which your magic experiment is “set” (according to your initial working theory)..
Delineate the function of the element within the context of the ritual or magical story you’re creating.

Speaking Into Being: Prose and Function

Fancy liturgy is wonderful when done well. If you can write that kind of liturgy while meeting the above criteria, that’s wonderful! But I want to be clear that there’s also nothing wrong with being blunt and to the point either.

Saying, “These sticks are now the doorposts of the mighty Helgrindr!” might not sound great, but it gets the job done. I think even the most skilled liturgist gets blunt when things go sideways and they have to work quick and dirty.

Look at me extolling the virtues of bluntness! (It’s the shocking plot twist absolutely everyone who knows me saw coming.)

We just can’t always have amazing liturgy, you know? So, no one should feel ashamed about theirs for not being fancy enough. It’s far more important to have accurate speech than speech that sounds wonderful but has more “plot holes” than Swiss cheese. And especially when there are plenty of beings out there who are known for exploiting those holes.

On that note, it’s always good to have some charms memorized that you can pull out as needed. Hallowing charms, protection charms, and exorcism charms are all useful to have floating around in the brain for if (when) things get “spicy.” I already gave you one in the first verse of the Old English Journey Charm quoted above. Just adapt the first couple of lines to better fit your own worldview, and get memorizing!

Oh, and like any magical skill, don’t forget to practice performing those charms.

One final thing I want to mention before giving a specific example, is to pay attention to rhythm if you have the luxury to do so. One of the benefits of working with poetic meters like the ON galdralag (“magic spell meter”) is that it has a good rhythm for chanting when done well. This is excellent if you have to chant a charm over and over again. It makes it easier to remember, harder to fuck up, and also helps you into an altered state. There’s a transformative element within the final lines of the meter as well, which I find does some of the work for me. Handy, right?

Prose And Function: A Handy-Dandy Example

Anyway, here’s an example of the kind of thing I might say while circumambulating with water:

”Step by step,
Against the sun
The moat of a mound I make
A Gjöll on the Hel-Road
A ring between
Within this ring the dead reside
Within this ring the dead remain”

Now, that wasn’t great, but hopefully you see what I mean. When combined with the actions themselves, I’ve communicated what I’m doing and what that action symbolizes. I also locate the mound moat/Hel-road river within the wider cosmology, conveying the general idea of a body of water separating the realms of living and dead. Finally, I name the purpose of the mound-moat/Hel-road within the context of the ritual. Because it doesn’t just serve to symbolize cosmology but also needs to contain any dead who show up as Hel or the mound contain the dead. As a part of this, I use an approximation of galdralag. This allows me to also take advantage of the transformative function conveyed within the final two lines of the charm.

When actually calling the dead though, I rely on a different form of speech: song. For the grid experiment, the most natural choice for me given my working theory was an adaptation of an old dirge called A Lyke Wake Dirge. The original—which likely would have been sung over a corpse—describes the journey to the afterlife. This journey was very much as a Christian might have seen it during the time the song was composed. So, to better reflect the story I wanted to tell, I needed to create an adaptation.

What’s in *your* afterlife journey? (Seriously, start thinking about this now.)

This is coming entirely from experience, but there really is nothing quite like wailing a dirge to a slow beat to call up the dead.

Good times.

Putting It All Together

Moving on from physically and verbally reconstructing the various elements, the next thing I focused on was figuring out the “order of business.” This is basically when you sit down and figure out the most logical way to bring together the various elements of your ritual. Another way to think about this is along the lines of ordering the elements of your story so that it forms a coherent narrative.

One of the biggest mistakes I’ve made when putting together experiments before is overcomplicating what I’m doing. So, I try to keep things as simple as possible and try to avoid adding extraneous elements and/or steps.

Shockingly (especially with all of my other fuck ups by this point), I did actually manage to keep things simple for my first grid experiment.

The Order Of Business (Take One)

  1. Get out cloth and chant over “posts.” Make sure I have everything I need.
  2. Create/delineate ritual space through incantation and circumambulation with water.
  3. Open up grid cloth within ritual space. Ritual speech locating the cloth in cosmology and delineating function according to my working theory.
  4. Speak charm over sticks to make doorposts. Install in the NE. Speak charm locating the posts in cosmology and delineating function.
  5. Make initial offering to Hel asking her to open Helgrindr and allow some of her subjects to temporarily visit. (I included this step because it’s both good manners but smart to include relevant death deities when potentially working necromancy IME.) Deposit offerings in NE.
  6. Move to SW. Enter light trance so as to monitor physical and magical effects. Sing adapted dirge (the version that describes the journey from Hel.)
  7. Make offerings to any dead who show up to welcome them. See what happens. React accordingly. (Welcome to the “find out” section of this flavor of “fuck around and find out”)
  8. Express gratitude for their presence when done and make a final offering to them. If no one showed up, make offering anyway in case they did but you just didn’t perceive them.
  9. Sing/guide any dead back using the version of the dirge describing the journey to Hel. (Important: perform this step anyway even if you felt/saw nothing!)
  10. Express gratitude to Hel and make final offering.
  11. Chant another incantation over the posts to return them to being sticks and take them up.
  12. Take up the grid cloth once you’re sure any visitors are gone. (Monitor for environmental changes associated with dead and perform divination if unsure.)
  13. Circumambulate clockwise, chanting a charm returning the space to its previous state.
  14. Purification, assessment, and more purification.

Remaining Concerns

Once I had all of the above figured out/in place, the only things left to figure out were offerings and location.

Offerings

As I discussed in the post on research, the evidence of offerings on the grid demonstrates offerings of blood and fat made to the NE of the grid and less bloodier ones to the SW. Price also suggests in Nine Paces that the grid was likely a site of blood sacrifice as well.

However, blood and fat were not really doable options for me. Especially seeing as I also planned to conduct that first experiment away from home. One potential solution to this could have been melted lard and blood from meat purchased from the supermarket. The latter is something I’ve offered before in the vein of Kormaks saga to the ælfe; I have no issue doing that. But blood congeals when exposed to air and fat congeals when it cools, which would have made it impossible to pour out either substance. So, with all of that in mind, I leaned into the symbolic again and went with red wine.

If it helps, you can think of it as “grape blood.”

Location

As far as I know, I was the first human to experiment with the grid in this way since the Götavi site was discovered. This meant that I had absolutely no idea what to expect (if anything) going into that first experiment. Because of this, I opted to perform the first experiment away from home and basically in the middle of nowhere. I may not have known what was going to happen, but my instincts were telling me something was</em? going to happen. Moreover, I couldn’t shake the feeling that that “something” would be pivotal in some way.

But events can be “pivotal” in many ways. For example, the assassination of Archduke Franz Ferdinand was pivotal as fuck, and that turned out terrible for millions of humans. I didn’t want to expose my family and neighbors to any potentially dangerous effects stemming from my experiments.

So naturally, I booked a cabin up a mountain in WV with some friends.

“WEST VIRGINIIAAAAAA, MOUNTAIN MAMAAAAA…”

I’ll talk about that first experiment in my next post.

Be well.

Sources

Bek-Pedersen, Karen. Nornir in Old Norse Mythology
Bek-Pedersen, Karen. The Norns in Old Norse Mythology
Frog, Mr. Shamans, Christians, and Things in between: From Finnic–Germanic Contacts to the Conversion of Karelia.
Jolly, Karen. Popular Religion in Popular Religion in Late Saxon England: Elf Charms in Context.
Price, Neil. Nine paces from Hel: time and motion in Old Norse ritual performance.
Price, Neil. The Viking Way: Magic and Mind in Late Iron Age Scandinavia.
Rupp, Katrin. The Anxiety of Writing: A Reading of the Old English Journey Charm
Storms, Godfrid. Anglo-Saxon Magic.

 

 

 

 

Witch Wars: Survival Tips

In the previous two posts of this series, I discussed what you can do to minimize the likelihood of getting seriously attacked, and how to diagnose a curse or attack. In this post, I’m going to take a look at the less-discussed aspects of dealing with and surviving magical attack.

First of all though, I’d just like to clarify something here. The kind of magical attack I’m talking about here is the more serious kind, the kind that goes beyond a simple case of the evil eye. Now I realize that a lot of people don’t believe in this more serious kind of curse and generally look to psychology for explanations. Thankfully, relatively few practitioners from WEIRD cultures have experienced the kind of magical attacks that can truly destroy your life. And for those of you who have never experienced this, I truly hope you never do. I’m not going to argue about the existence of this, you can either take this seriously or not.

But if you have experienced this kind of thing, or simply take magic seriously enough to recognize its potential for completely fucking up your shit up to and including taking your life, then read on.

There’s been a lot written in various places about how to respond to curses in terms of getting it off you, uncrossing, protection, amulets, and magical counter response. However, there’s a lot of stuff I haven’t seen discussed about magical attack -stuff I consider important to management and survival -so that is what I’m going to discuss here.

The Fear Response

For most people who find out that they’ve been cursed, or are the subject of a magical attack of some kind, the most common response is fear. This is completely normal. For someone who hasn’t experienced this kind of thing witch wars - fearbefore, it can be one hell of a wake-up call to realize what others can do to you, your loved ones, and your life with magic. And for those of us who’ve been through the mill a few times, it can be triggering because you remember how fucking awful it was all those other times.

However, the hard truth of it, is that you cannot give in to that fear. Because it’s too easy to make stupid moves, and at a time when you really cannot afford to do so.

So the first step to keeping your shit together when you’re on the receiving end of some magical whammy, is to recognize the fear. Take some time to sit with it (but not too long), lean into it and find out where its roots lie.

Then put that shit aside for later. You haven’t got time for that right now.

Attacks Are Often Multilayered

In the majority of cases, ‘curses’ are generally more rightly thought of as “multilayered campaigns”. You see, people who want to take you out tend to not stop with simply fucking up your luck and your health, or messing with your dreams, or whatever.

They will attack you on multiple fronts (if they can), and some of those attacks will fall more into the “curse” category, while others will fall into the “psychic attack” category. They may even bind spirits and send them after you, and you need to also realize that they will probably come after your family too.

Fucking horrible, right?

But if someone has decided that you are sufficient enough of a threat to their ego, then nothing in their capacity is ‘off the table’. I mean, let’s get this straight: there is no such thing as honor here, it’s down and dirty shit-flinging. And even if you have cleared or gotten free of the main attack, you will probably find other minor fronts coming to light months down the line.

So recognize that this is likely not going to be a ‘one working and done’ kind of deal. If they have launched a campaign, then you are fighting a campaign, and you need to plan accordingly.

You May Need Help (And There’s No Shame In That!)

Unfortunately, being able to set aside the fear and recognize the breadth of the campaign being waged against you, is no guarantee that you’ll actually be able to fight it. Remember all those things I mentioned in my last post? Well a witch wars - helplot of them like that feeling of helplessness, sapped energy, and decline in mental (and physical health) can all affect your ability to respond. Depending on what has been done to you, you may not even be able to do anything at all!

To make matters worse, a lot of witches tend to take pride in being able to handle things alone. But don’t fall into that here – this isn’t the time for more ego. If you find yourself in this situation you need to reach out and get help. And the chances are that if you’re involved in your local community enough to cop an attack, you already know someone in your community that you suspect could and would help you.

Just be aware that you may have some difficulties getting to meet or communicate with your potential help. The spirits involved in curses will often take measures to prevent the subject of their nastiness from escaping. If you find yourself in this situation, it’s the ideal time to dig out any older amulets you have lying around. Depending on what you have, they may not help with the wider attack, but they may help with the simple issue of getting to your help.

Destroy Connections

One of the least discussed parts of being attacked that I’ve noticed is the matter of connections. Now on one level, when I talk about connections here, I’m talking about connections created by gifting. But on another level, you may have more subtle connections to a person that were either created through working together, or that were planted on you in order to influence, spy, or witch wars - chainsdrain you.
The physical connections are clearly the easiest to sever. Seek out anything they gave you that still feels connected to them (again, you may need help here) and either destroy it or put in some kind of containment for leverage down the line. If it can tie them to you and used by them to affect you, it can tie you to them for the same thing.

As for the subtle connections – this is another area where you will need help. Even if you can deal with the rest of the attack alone, you will need help to get rid of these.

Freeing the Mind

For a bunch of people who basically work to change reality with our minds, breath, bodies, incantations, and wills, we often forget our minds in our training, our work, and in surviving magical attack.

If you are subject to magical attack and the person wants to let you know it without directly saying it, they will work to keep themselves front and center in your consciousness. This is incredibly empowering for them, because on one level it helps to build upon the fear and feelings of helplessness their previous witch wars - onionwork has created. However, on another, it’s still giving them access to your mind.

This is something you need to resist; but how?

After all, it’s not like you can pretend they don’t exist or what are you fighting against? The key to this is figuring out the right level of access. Sounds confusing, right?

Try imagining your mind like an onion of many layers. Now think about where certain people in your life are in the onion -see your nearest and dearest in the central layers as clearly as you can before moving outwards from the center and mapping where different people fall in the layers. One of those layers should be some kind of defense that is impermeable from the outside, and it’s in the layers beyond that where any enemies should sit in your mind. If you find your enemies within that barrier, or yourself without a barrier, then you need to do some evicting.

Your goal is to be able to talk about them and think of them with no more weight to their names and faces than you would give turd you scraped off your shoe.

Tu Quoque

Finally, you need to realize that if you send things back to them, then you are sending them exactly the same as they originally meant for you, and you need to be ok with that. You need to really walk through the ethical and moral implications of it and figure out if you’re good with it or not. The morals of witchcraft are the morals that each individual witch carries. So work deliberately. Because it doesn’t matter that they started it, you are choosing to take the same action and will be just as responsible for the ensuing consequences.

Which all sounds easy to live with when you’re angry. But could you really live with something that (for example) was targeting your kids, targeting other children?

See what I mean?

Just…be aware of the scope of what you choose as a response before you do it, and recognize that you will have to live with whatever rolls out from that course of action.

Witch Wars: Diagnosis

witch wars - magnifying glass

Finding the Right Balance

Belief in being cursed or being subject to magical attack, can become a curse in of itself – especially when you’re already encountering a run of bad luck. So it’s important to have the proper perspective when it comes to the subject of witch wars - balancemagical attack. Because if you place too much belief in the possibility of being cursed or attacked, then it’s all too easy to see malefic magic and psychic attack at every turn and become paranoid. There’s also a lot to be said for self-fulfilling prophecy here – especially with the more magically-minded. But if you refuse to even consider the possibility, then you run the risk of missing some of the earlier warnings and allowing things to become far worse.

I’ve been that person in the second category, and I’m coming to you from the future to warn you about that very thing.

I messed up a lot in my early 20s with this, and a whole lot more. So trust me when I say that if you write everything off as being “just a run of bad luck”, then things can get really bad and in really unbelievable ways too.

So how do you find the right balance with this?

In truth, unless you have physical evidence that someone is working against you, you need to be looking at multiple factors. But what are they?

Luck

The most obvious thing that is going make you suspect attack is a run of bad luck that just doesn’t seem to end. But sometimes shit just happens! So how do you figure out if it’s regular old run-of-the-mill shit, or magical shit?

witch wars - horseshoeThis is where it gets pretty tricky, and also why you shouldn’t just rely on one thing when assessing whether or not you’ve been cursed. However, a good starting question to ask yourself is if what is happening is logical given the surrounding causes and conditions. For example, if you happen to lose your job and your house is foreclosed on during a time of economic downturn, it’s easy to see the circumstances at the root of your situation.

However, if (for example) you find yourself applying for a college hardship fund and being rejected for being “too poor” after a run of being told you’re overqualified for student jobs you’ve applied for as a student, then something is probably going on. (It was. Those were some “fun” times.)

See what I meant when I said “unbelievable”?

Dreams

For a lot of people, dreams are just randomness bundled up with a combination of wish-fulfilment and stress. However, for magical practitioners dreams are a hell of a lot more. That’s not to say that we don’t also get the stress dreams about being late for French Literature class at college (or…you know…). But for us, dream can often also turn out to be a place of entrance into the Otherworld, or a common ground upon which we may interact with Otherworldly beings.

And other practitioners…

See the problem?

So if you’re not keeping an eye on your dreams, especially around the 15th lunar day, you’re missing out on one of the biggest canary warnings you could possibly have. Dreams on this day that include arrows, snakes, or any form of attack really, can be indicative that someone is working against you. Moreover, it’s often possible to divine the person (when a human is doing the cursing, but that’s another story) attacking you, and what their beef is (beyond simple ego).

For example, you may find that the attacks in your dreams are conditional on you avoiding or carrying out a certain behavior. For example, if someone wants to keep you in what they see as ‘your place’, then the attacks in the dream may only happen when you disobey instructions to not cross a boundary.

So pay attention to your dreams!

Feelings and Foreign Thoughts

Strange emotions and thoughts can come from any number of sources, especially if you’re empathic in any way (and if you are, you might want to check out this post for some handy tools). Moreover, our brains can be pretty weird places just in general. Which can make it quite difficult to figure out if a new crop of negative emotions and strange thoughts are from you, picked up witch wars - fallenby accident from others, or the result of a curse directed at you.

But what do I mean when I say “negative feelings” here? Generally speaking, the kind of negative feelings that come with an attack are an impending sense of doom and dread, and a nose dive in self-esteem. Depression is also common, as is a feeling of helplessness.

And I know, I know. Who hasn’t felt those things? I mean, for goodness sake, we live in the monstrous shitshow that is 2019!

However, when you take the time to examine why you normally have those feelings, you can usually point to concrete reasons why. Maybe it’s all the plastic in the sea? The climate crisis that is going largely ignored? The internment of asylum seekers and attendant human rights abuses? Or maybe it’s just down to the simple yet highly stressful economic insecurity that most of us experience on the regular?

The point though, is that when you get down to it, when you take the time to examine these feelings, you generally find causes that are usually highly logical (and not the result of outrageously abnormal examples of bad luck).

This is part of why meditation is important – because it gives you the tools to carry out that kind of introspective examination.

But most importantly, meditation helps you get to know your own mind. This is incredibly important when you’re subject to this kind of attack. After all, how else will you recognize which thoughts are truly yours, and which belong to a hostile party? However, for all the danger of implanted thoughts (especially the kind that ensnare the mind and have you picking out a death day on autopilot), this is also often the area where a lot of attackers ‘overplay’ their hands and give themselves away.

As the old adage says, “know thyself”.

Health

In the Old English sources, the concepts of ‘health’ and ‘luck’ (as well as wholeness and holiness) are expressed by the same word – ‘hælu’. This collocation of concepts into a singular term tends to make great sense to anyone who has worked extensively with either the paranormal, Good Folk, curses, or all of the above. Because it’s never just luck that tanks, but personal health too. For some of the more metaphysical (and scholarly) reasons for this, you can check out this essay here.

However, for the TL;DR version, let me just say that both curses and interference from the Other have very similar effects on the body, and especially the torso. So keep an eye out for gastric and other torso-related issues that are accompanied by a loss of physical energy – especially if medical investigation leads nowhere.

Dying Plants and Eggs

Finally, a lot of witches look to their plants. If a lot of your plants suddenly start witch wars - eggsdying off, then there’s a chance that someone is working against you. This is especially the case when this happens in conjunction with any of the other factors mentioned here. Some folks also keep an egg on their altar as a kind of hex alarm and watch for it breaking. Of course, you may go through quite a few eggs, and will need to remember to change them out if you opt to do this.

Being Off-Balance

Find yourself taking more trips and falls recently? Perhaps you’re experiencing the kind of clumsiness that you only normally get before your period (if you have those), but at the wrong time?

It’s not uncommon for people to experience more falls and injuries when subjected to psychic attack – part of this is down to that luck thing.

But in my opinion, there’s also a wider theme of keeping you off balance here too. This is something you may also see reflected in your thoughts. You may find yourself fixating on something or someone completely random and illogical – just out of the blue, to the point where it’s taking over everything to a really unhealthy degree. And it’s smart too – part of keeping you otherwise occupied so you can’t do the things you need to to fight back.

Now I’m not saying that every weird crush or obsession with a thing or person is the result of magical attack (especially if you’re already predisposed to obsessive behaviors). But it’s another factor to take into account along with everything else.

Next Steps

So what do you do if you suspect that you have been hexed by another practitioner (or even the Other)?

Your first next step is to perform divination and find out if your suspicions are reflected in a reading. Depending on what’s been done to you though, you may find yourself unable to read for yourself (assuming you could do it before), and in these cases you will need to get a reading done by someone else. Honestly though, regardless of whether or not you can read for yourself, it’s advisable to get a reading done by a trustworthy person anyway. In my experience, the role of divination in the diagnosis and management of malefic attacks is one that iswitch wars - tarot often forgotten. And I get it, it’s easy to lose your head when you suspect that magic is being thrown around – especially if you’re already a little battle-scarred before figuring out what’s going on. However, if someone is working against you and you give into that fear, you help them in their cause.

Divination can provide a chance to catch your breath and at least run your thoughts by another human. This is important for two reasons: firstly, running it by another person can provide a valuable “checksum” that you’re not experiencing some kind of mental breakdown; and these kind of experiences tend to be pretty isolating (which is never good when you’re vulnerable). Most importantly (?) though, divination can help you take stock of the situation, and may sometimes even give you information on how best you can defend yourself or otherwise end the attack. In other words, it’s a critical first step on the path to resolution and healing.

Witch Wars: Minimizing the Damage

Witch wars - tarot devil card

Which Witch War?

There are two kinds of “witch wars” in the Pagan world, and most of the time, it’s the gossipy, bitchy, war-of-words kind that is the most common. This blog

witch wars - praying skeleton
“Oh West Virginia Jesus, please don’t let me be misunderstood!”

post isn’t about that – largely because I suck at them. I just don’t have much investment in the kind of social fuckery that allows an actual honest-to-West-Virginia-Jeebus negative social campaign to form. In short, I’m not the droid your looking for when it comes to advice for surviving a social shit storm (but this droid might be helpful, and also this).

I am however, the droid that can give you some helpful tips on the second kind of witch war: the magical kind.

An Evil of Ego

To put it simply, this kind of witch war is usually an utter clusterfuck. Like the social shit storm variety, it usually comes about because one person gets their pants in a twist over some ego-related matter. They can come about quickly, Witch wars - tarot devil cardor they sort of ferment over time. In my experience of these slow wars, you usually have about 2-3 years of fermentation punctuated by relatively minor periods of being poked at before hostilities fully escalate.

The magical witch war can be soul-destroying, and can wreck your whole life in otherwise unbelievable ways. This is especially the case if you take the position that this shit just doesn’t really happen and so are perhaps not as vigilant as you should be. Moreover, if the attack is particularly bad, the aftermath can be quite difficult and take some serious recovery time .

Hands down the best way to deal with this kind of witch war though, is to avoid it in the first place.

But how can you avoid something that hasn’t (hopefully) happened yet? The simple answer is that you can’t. But there are some relatively easy precautions you can take to reduce both access and effectiveness that go beyond the usual wards and shielding.

Reciprocal relationships

One of your most important lines of defense against nastiness, is the reciprocal relationships that you nurture and maintain with your numinous powers. Sometimes it may be gods who help you, and sometimes Fair Folk. However, mostly it’s going to be ancestors and house spirits that do the bulkwitch wars - land spirits of the heavy-lifting here, so these are the relationships you really need to cultivate.

That’s not to say that the gods and Fair Folk wouldn’t get involved though, or that it isn’t worth taking the time to develop reciprocal relationships with them too. It’s just that they have less reason to be involved than the aforementioned groups, and unless there are already signs that you have their favor, their prices tend to be much steeper.

When you have good reciprocal relationships with your ancestors and house spirits, detecting, diagnosing, and dealing with magical attacks become much easier. Because when you have those relationships, you can get a lot done by simply calling to them with some offerings and checking in. I recommend checking in in this way on a weekly basis (at least).

Cleanliness

This is where I tell you to clean your house! No really, regular cleaning is one of the best steps you can take to create a layer of protection from some major whammy.

witch wars - cleaningYou see, sometimes witch wars involve sending asshole spirits to mess with you, and those asshole spirits tend to gravitate to the shitty, cluttered areas of your home like mosquitoes do to buckets of water. (This is pretty much why paranormal teams get people to clean up as part of the solution.)

Another reason why cleaning is an important activity (you know, aside from regular old health, hygiene, and decency), is that if you are in the slow moving kind of war, then you may find items planted in your home that come with…extra ‘gifts’ (in the German sense of the word). Regular cleaning keeps you familiar with what’s in your home and what doesn’t belong.

Lastly, and most importantly, there are layers of protection you can build into your cleaning regime. You can clean with apotropaic herbs and washes (especially if you make your own cleaning supplies like I do), and you can get into the habit of regularly fumigating your home to cleanse it. This helps to prevent a build up of magical nastiness over time, which is useful all the time, but invaluable if you ever end up having the misfortune of dealing with a protracted campaign.

To Gift is to Connect

One of the worst things about witch wars, is that most of the people you are likely to end up in magical altercations with, will have likely started out as friends. They are usually the people you’ve “talked shop” with, considered working with, or maybe even worked with. This is part of why your slow-moving witch wars are like car wrecks that you can see coming in the distance – you can see the wreck coming, but there’s also this desire to try and prevent it if you can. I don’t mean to be the plot spoiler here, but most of the time you really can’t. Because it’s usually not about you or your friendship, but simple ego and dominance, and that’s an ill that lies solely within the person that witch wars - giftstarts the war.

But in those early days of friendship before you get to know a person, it can be really easy to gift freely. However, until you know how things are going to roll out (or oaths are in place), it’s important to be careful with both what you gift, and also what you accept.

To give or receive a gift is an act of trust, especially among magical practitioners. Gifting connects and provides either leverage, or a way into someone’s life (the Trojan horse principle). Because when you gift – especially if that gift is something you made or have had for a long time – you’re essentially giving them something they can use to connect you to them in a spell. Alternatively, the gifts you accept can come with some added…”extras” that can make for some really unpleasant times.

So be careful who you give gifts to, and what presents you accept from others. If you really want to give gifts in those early stages of friendship, opt for gifting by Amazon or another online service. They still get the gift, but none of the “you” to leverage.

As an aside, I always learned to never accept salt from another witch. I don’t remember where I learned that now (it was a good two decades ago now), but it’s a taboo I’ve kept to. Your mileage may vary.

Personal Concerns

Even worse than a gift though, is when a rival gains something of you. The term “personal concerns” is quite delicate-sounding for what is being referred to here, but basically, it’s your hair, nails, blood etc. Any enemy practitioner (or practitioner yet to out themselves as an enemy) that gets access to any of witch wars - hairthese things, gains the keys to the kingdom. There is so much more that they can do to you with this stuff- trust me on this. Because there was this one fun time and it literally nearly fucking killed me.

Protecting your personal concerns requires both cleanliness and diligence. Don’t leave hair brushes, toothbrushes, or anything else with your hair lying around anywhere where any guests can get to them. Be extra careful with sharp objects when others are around. If you cut yourself, pocket any tissues you use to staunch bleeding and take them home. Count them as you pocket them and keep track. Try to wash away any blood spilled with whatever is to hand. Got flyaway hair? Tie it up or cover it while meeting with new folks. Get the idea?

Basically, adopt the level of paranoia a hated Roman emperor would have found admirable.

Final Words

Witch wars of this variety are thankfully relatively rare, and it can be all too easy to become a little too paranoid. There is a balance to be had here, and in the next post I’m going to discuss some of the things you can look at to try and discern whether or not someone is working against you.

But for now – and most importantly – don’t give this topic too much space in your head. Stray thoughts can be dangerous things for people who use their emotions, visualizations, and will to change reality.

A Magical Go-Bag Tour

magical go-bag - hag stone

In my last blog I talked about the process of putting together a magical go-bag, and some of the reasons why a witch might want to. In this post, I’m going to give you all a tour around my main magical go-bag to give you an idea of some of the options that are out there when putting these bags together.

My Magical Go-Bag: A Backstory

Call me paranoid, but I’ve always carried some kind of magical supplies on me. I’ve just had that kind of life. Ever since I was a kid, I’ve been the proverbial poop pile to the supernatural flies, and so always having some supplies on hand just makes sense. However, the impetus to create a dedicated bag for going out on the battlefield (or whatever else I’m up to) only came last year. Before then, my bags were all repurposed, or small bags that I’d just shoved into other, bigger bags. Last year though, things changed

To cut a long story short, working more intensely with the dead led to other spirits showing up. One of those spirits was a crane-dancing woman who told me to create a what was essentially a magical go-bag. Jokingly, I called it a “crane bag” (because it was a crane-dancing woman who told me to make it). However, the connection between the crane bag of Irish lore, and the Irish analog of the Welsh god who has played a pivotal role in my battlefield work also did not go unnoticed.

So off to the internet I went to scroll through endless pictures of “crane bags”. But none of them worked for me, and soon became clear that the best option was to make my own. So I did.

I knew from the outset that it had to be grey and hardwearing. The inner fabric – which could be softer – was a chance find that I chose for the deer in the pattern (an animal that’s long held significance for me). I came across the giant crane-patch by chance while searching for fabric, and well, the idea of a “crane bag” with a giant crane on it gave me a chuckle, so naturally I slapped the ‘purchase’ button.

Making the Bag

I’ve never been a good (or even competent seamstress). I don’t know what happens but I can start off with a perfectly good sewing machine, and then it all goes wrong. The tension decides to do its own thing, then the thingie in the bottom is also like “fuck you”, and in the end, it’s raining, the earth is falling in, and I’m about ready to pitch the machine out of a window. So the prospect of creating a go-bag was daunting to say the least.

I used this tutorial at the recommendation of my mum (thanks mum!), and although it didn’t quite work out (because: me), I came away with a serviceable bag with the custom pockets that you can see here.

magical go-bag - crane bag

magical go-bag - pockets
Custom knife pockets ftw.

Once made, I consecrated it in a small ritual to Manannán Mac Lir as it seemed like the right thing to do at the time.  And in the end, I think it was the right decision as it triggered the dream experience that you can read about here.

So that’s how, and the why of creating my go-bag.

My Essential Items

Now here is where I finally get to the things I consider essential for how I work, But as I mentioned in my last blog on this topic, your mileage may vary.

Hag Stone

Function: Apotropaic and tool.

First on the list (but not necessarily in order of importance) is the hag stone or holey stone. These are stones that have naturally occurring holes through the magical go-bag - hag stonemiddle of them, and although I haven’t really found good scholarship on them, my experience has been that these are both effective tools and apotropaics. They’re protective against the Unseen, and allow you – again, in my experience – to see through glamours and things that are normally unseen if you look through them.

You can sometimes find them along rivers, but they are also readily available to purchase online. I would advise caution when purchasing these online though as some unscrupulous vendors try to pass off drilled stones as genuine hag stones.

Black Salt

Function: Hardcore apotropaic.

Next up is black salt. Salt is a great addition to any magical go-bag in magical go-bag - black saltgeneral because it has so many uses. You can use it to salt boundaries, protect, and banish. But black salt is just taking regular old salt and leveling it the fuck up! The addition of iron, ash, and (in my case) ground wolf bone, makes black salt an excellent addition to a go-bag. It’s like an apotropaic powerhouse!

Even better, if you make your own black salt, you can build in extra layers of apotropaic magic into the creation process! Why just scrape some iron from your pan when you can use your pan to burn prayers asking for divine favor with some protective herbs, then add that to your fire ash before scraping the pan for iron? I have a dutch oven that I use specifically for ritual work so that I don’t have to wreck my cast iron cookware; it was $10 from a thrift store – bargain!

Spindle and Fiber

Function: Tool and offering.

I use a lot of spinning in my magic, and especially when it comes to working with spirits. Spinning in a space can trap both dead and leftover remnants of magical go-bag - mini spindleenergy that might “grow up” to get its own ideas and start its own trouble. Spun fiber can provide a bridge, delineate space, and serve as an offering in its own right. I have two spindles that I typically use in ritual work: one is a collapsible spindle that fits in my bag; and the other, magical go-bag - large spindlemy large one, was a gift to thank me for help given. I adore my large one because it feels weighty and authoritative – like a wand. It’s something I’ve wielded in ritual before now when opening portals and working my will. The collapsible one lives in my purse (yes, it’s that small) along with the sheep knuckle I use for yes/no divination.

Railroad Spike

Function: Apotropaic and tool.

This is something I tend to swap out with my black-handled knife. There’s a magical go-bag - spikeresonance to this item that just works. I’ve engraved it with words of power (which I won’t show here), and it’s one of my favorite spirit weapons for subduing, setting up some hardcore protective space, or for when things go bad. I don’t know whether it’s wholly iron or steel (which is mostly iron anyway), but it’s kickass anyway.

Red Yarn

Function: Apotropaic, tool, McGyver goodness.

magical go-bag - red yarnThis is one of my more McGyver-type items. Red thread can be used to bind and protect, or create new items (like a crossroads effigy or protective rowan cross). It can also be used for knot spells, marking off space, and much more. The yarn I use is hand spun with intent and then ritually consecrated.

Offerings of some kind

Function: Offerings, because being a magical murderhobo is bad.

And finally, because being the magical equivalent of a D&D murderhobo is not something that any of us should aspire to, I carry offerings. So many situations can be avoided or calmed by just communicating and making propitiatory offerings. Easy offerings to carry on the regular are cornmeal, tobacco, water, cedar, and small sealed butter or cream packets. Just please, take any trash home with you so you don’t ruin any of your good work by doing anyone the disrespect of leaving trash in their space.

The Magical “Go-Bag”

magical go-bag - lego person

The Magical Go-Bag (AKA “Preparedness For Weirdos”)

What do you think of when you see the term “go-bag”?

If you don’t know what that is, the name has already probably given you an idea. However, if you do know, then the chances are that you fall into one of two camps: those who think they’re a great idea and already have or are working on putting one together; and those who think they’re something that only paranoid preppers do.

Preppers have a bad name. They suffer from the stereotype of being religious fanatics with doomsday bunkers and enough canned foods to last decades. However, that’s really not representative of most preppers, and if anything, we should all prep to some degree for potential events like natural disasters or economic downturns.

Most prepping efforts focus on sheltering-in-place scenarios, but the go-bag

magical go-bag - storm
The main reason why I have a tote full of emergency stuff.

is designed to help you get the hell out of a place temporarily (usually for 72 hours), and survive. As the name suggests, it’s preparedness on the go!

Ever since the Otherworld apparently began bleeding through, my magically inclined friends and I have noticed some pretty major changes in how the Unseen interacts with us (and vice versa). For starters, it’s far easier to get attention from Themselves nowadays. Moreover, the effects we’re getting during ritual are (or at least seem to be) more obvious and visceral. And it’s all too easy to stumble into situations while out and about. Lastly, we know we’re not the only ones experiencing the weirdness; we’re all getting hit up more often for advice about everything from simple hauntings to fairy possession and curses.

Does this sound familiar to you? Because if it does, you may want to consider making a magical go-bag.

Planning Your Magical Go-Bag

Unfortunately, when it comes to planning your go-bag, I can’t tell you what to put in it. My way of working is not yours, and so you really need to think about how you work and the kinds of tools and implements you find useful.

The first step to filling your go-bag is taking some time to think about the last ten or so magically weird situations you were in while out and about. Where did they take place? What did you encounter? What tools were useful? What do you wish you’d had at the time?

Go on, write that shit down.

When you have your list of items, you’ll probably find that there’s too much to carry comfortably in your handbag in day-to-day life. So this is where you need to begin paring down your list and/or looking for miniature equivalents.

Paring Down Your Tools

Ideally, the magical go-bag contains a combination of tools, apotropaics (protective items or substances), and offerings. So with this in mind, take another look at your list and classify the items you have. Divide your lists into three separate lists if it helps! Anything that serves as both a tool and apotropaic instantly graduates to the next round of consideration. For example, a hag stone serves as both tool and apotropaic, so that would make it into round two.

Now take another look – is there any way you can use any of those items to McGyver other tools on the fly?

magical go-bag sheep knuckle
A sheep knuckle – the ultimate in portable y/n divination.

The process of paring down is really about getting the most utility for your bag space, so think carefully here. Anything that is multipurpose or can be used like the Swiss Army Knife of witchcraft goes through to the next round. Don’t forget to consider items that you usually carry that can be improvised into a magical tool here (e.g. your keys can serve as a good stand-in for bells, so leave out the bells if you usually use them!)

Finally, is there anything that you just aren’t going to dump because it’s just so kickass and has been useful more times than you can count? If so, and if that item is on the larger side, it might be worth it to track down a miniature version.

Magical Go-Bag: The Final Cut

By this point in the process, you probably have quite a good idea of what is going in your bag. And clearly, how much you can fit in depends on how big your bag/ the space in your bag is. I tend to keep at least one apotropaic and one offering item in each of my regularly used bags in case I encounter some

magical go-bag - lego person
“Hello! I’m responding to a 911 exorcist call…why yes, I would be your on-call person. Oh yes, a cup of tea would be lovely!”

kind of incidental issue. I also have a more specialized bag that I take with me when I know I’m going to work “in the field”.

Whatever your bag situation looks like, only you know what you have and how much you can fit in. The trick here though, is taking your final list and figuring out where everything would work best. And don’t worry if you don’t get it right the first time – the process of reorganizing your go-bag/emergency supplies is one that you’ll likely be revisiting again and again in line with what you encounter.

In my next blog, I’m going to give you a small tour around my main go-bag and talk about my favorite magical go-bag items so you can see what works for one witch.