unseen Archives - Seo Helrune

September 29, 2021September 29, 2021

Omens: The Otherworldly And Odin

An Opening of Omens

If you’ve ever watched Chilling Adventures of Sabrina, you may remember an episode that begins with a few seemingly inconsequential happenings. These are subtle things that range from the way a loaf of bread splits while being baked in the oven, to a broken mirror in an empty room.

Omens can be tricky things, especially when they’re subtle. How to know whether that flock of birds fighting in the parking lot is an omen or just some avian drama? Or what about the vultures that scream at each other so loudly you can’t help but look outside? (Double points if they fall silent as soon as you “get the message”.) Are those crows really sent by the Morrigan or those ravens of Odin? And what’s with that sudden, unseasonal influx of black insects in the home?

These things tend to be subtle—until they’re not.

“Human Omens”

So far, the omens I’ve described are quite traditional. People have been reading the movements of birds and insects (among other things) for a long time. But one thing we don’t seem to read as much when it comes to omens, is the behavior of other humans.

We humans often make plans and telegraph what we’re about to do next. That’s not the kind of thing I’m talking about here though—as always, we deal with subtleties. The kinds of human behaviors that interest me are those that aren’t quite so consciously realized.

So, what do I mean by that?

Inspiration, Creativity, and Prophecy

When I get the sense that something is stirring on a subtle level, one of the first places I look for omens is our collective “fruits of inspiration.” So, in other words, I look to what our writers and artists are putting out, both in our communities, as well as in larger media productions. I’ve discussed this before on this blog and will talk about it in more depth in my upcoming class, but inspiration is a deeply strange and other thing. In its purest form, it originates from outside the human (as least in the traditions I practice). And out of the three different sources of “human omens” I will detail in this post, this is the one that can also serve as a heads-up that something is brewing long before anything even begins.

Take this passage from the commentary in Jung’s Red Book, for example:

“In the years directly preceding the outbreak of war, apocalyptic imagery was widespread in European arts and literature. For example, in 1912, Wassily Kandinsky wrote of a coming universal catastrophe. From 1912 to 1914, Ludwig Meidner painted a series of works known as the apocalyptic landscapes, with scenes of destroyed cities, corpses, and turmoil.” (Jung Carl and Shamdasani Sonu, Pp 18-19)

World War I, a conflict that would claim around 40 million lives, broke out in July 1914. Yet artists and writers were examining those themes—sometimes with eerie accuracy— years before the first shots were even fired.

Dreams, Intuition, and Divination

The second source of “omens” I look to is my friends. Usually, by the time I get the sense that something is stirring, it’s not long before people start hitting me up if I don’t get in touch with them first. Whenever this happens, I ask about dreams and intuitive hits, as well as any divinatory themes they may be getting. When it comes to prophecy, the image of the seer prophesizing from a high seat is a powerful; it’s what we tend to imagine when we think of prophecy. But if you look back at some of the disasters that have plagued human history, there are often examples where multiple people have begun to dream about the same kind of horrific themes right before something awful happens.

My preference is to view these things in aggregate, with an eye to spotting patterns or themes. And when you get down to it, this is not so different from the process that comparativist scholars engage in when working to trace early Indo-European beliefs and practices through multiple descendant cultures. One a very basic level, you’re looking for frequency as well as cross-cultural examples—especially in cultures that aren’t known to have interacted with each other. Here, I’m looking for frequency as well as cross-tradition examples, and especially in groups of people who don’t know each other. Those are the patterns and themes that interest me the most—even if they run counter to my own experiences and impressions.

Strange Behavior

Finally, the third source I look to, is strange behavior (albeit with some caveats).

In Germania, the Roman writer, Tacitus, wrote about a form of omen-taking from observing the behavior of sacred horses. Unfortunately, I don’t have any horses, sacred or otherwise. But over the years, I have found the observation of my fellow humans to be similarly effective.

Again, we’re talking about subtleties here. But we humans are no less affected by subtle energies and the stirrings of the unseen layers of our world than our fellow inhabitants of Middle Earth. We are no less a part of nature and no less animals for all our plastic and technology. And I’ve found that many of us will subconsciously react to changes in energy as well as whatever-the-hell our gut instincts are telling us at the time. Unsurprisingly, our behavior will often show it too.

I’m reminded here, of my epileptic brother’s behavior in a famously haunted house that stopped as soon as he was removed from the premises. Before my mother wrestled him out the door though, his behavior had become animalistic; he’d taken to the floor on all fours, barking and growling at the tour guide and fellow (ghost) adventurers.

Now, people do strange things all the time. But when you’re finding a lot of unrelated people behaving similarly, it’s time to pay attention, especially if you cannot discern a common cause. And again, in my opinion, this kind of thing is best observed in aggregate and with an eye to spotting patterns. Speaking of patterns: my brother apparently wasn’t the only person to have behaved like that in that space.

In other words, if the tour guide were to be believed, there was a pattern of some people exhibiting animalistic behavior at that site.

That was an extreme example, and I clearly cannot prove that my brother behaved like that due to the unseen of that place. But I do hope you understand what I’m getting at here.

The One-Eyed God on the Road

This all brings me to some of the possible omens I’ve noticed recently. On the one hand, there have been multiple strange conversations with neighbors about an increase in shadow people that “don’t move like shadow people” in the street. (Think less “dart-y” and more “people-y”.) Friends have told me about incidents where they have an experience of “pareidolia” that sounds more like glamour, and that leaves them in doubt of what is actually “real”. Other friends have told me about seeing critters that aren’t there. And a bunch of people are telling me about the disturbing dreams and messages they’ve received of late. Some of these things I’ve also experienced for myself.

These, to me, all have something of an otherworldly feel to them. As does the recent killing of the white stag by armed police in Bootle, UK. (Side note: probably a bad move to kill beings associated with the otherworld when your country is looking at food and fuel shortages.)

But I’ve also noticed that a certain one-eyed god seems to be getting around a lot more nowadays too. More people (some of whom have never interacted with him before) are now telling me about their interactions with him and asking for advice. I’ve felt driven to write about him in great depth. An entire Heathen community performed a days-long ritual in his honor, erecting a 20ft god post. And for two Wednesdays in a row now, there’s been news that’s felt pointed in either its direct association with him (such as the announcement of this hoard of bracteates), or associated symbolism (such as the suspected electrical fire at this “Midgard’s” church on the island of Grímsey). Then today (as of the time of writing), this video of a Spiritualist who allegedly channeled Odin was shared in a group chat I’m on.

The bread has split, the ink has spilled, the mirror in the empty room is broken. But what could it mean?

Winter is Coming, Winter is Here, Winter is Coming Back for Another Go

I’ve followed the Old Man for over a decade and a half now. But even though I am very much “Team Odin”, I also know he has a tendency to become more prolific during “interesting” times.

Take the Migration Period, for example.

The Migration Period was not an easy time to live in. Peoples migrated and fought over resources. A volcanic eruption in 535-536 caused a dust veil thick enough to darken the sun enough that crops failed for at least two years in a row. And in those days of death and desperation, the warband religion of a certain one-eyed god of spears seems to have made its way north and into the elite centers of power.

Before that (in another time of death and desperation), his hands were probably guiding the spears of the Germans and Celtiberians led by a couple of one-eyed leaders who fought against Rome (Enright 217-240).

And before that, who knows?

Something tells me though, that it was probably another time of death and desperation. With this in mind, this new rise of the Spear God doesn’t exactly fill me with comfort in our time of plague, climate crisis, and burgeoning far right movements.

Death Will Make a Door

The final point I want to make today, is that times in which there is a lot of death, are times in which the dead and otherworldly tend to draw closer. If you’ve ever read about times of mass death in human history, you may have noticed that there are usually a lot of strange goings on reported during those times, as well as humans getting involved in strange cults and practices. If that kind of thing interests you, here are some folktales from the time of the bubonic plague. Pay attention to the kinds of beings sighted in conjunction with the plague, as well as the plants and days mentioned in the purported cures. Some of them are downright other.

They really shouldn’t have killed that stag.

Until the next time, good humans!

Be well.

Books Cited
Enright, Michael J. Lady with a Mead Cup: Ritual, Prophecy, and Lordship in the European Warband from La Tène to the Viking Age.
Jung, Carl and Shamdasani Sonu, The Red Book/Liber Novus: A Reader’s Edition

February 3, 2020

Story, Satanic Witches, and Hell(ier)

My blog post today is about story. And I’m going to begin it by telling you a story (about story).

I like to write fiction, and I’ve been creating and writing stories for as long as I can remember. There’s something magical about the process of creating characters and allowing them to reveal the next stages in what inevitably becomes their story. For the most part, these characters are my creations, beginning as hastily plotted-out spider diagrams on whatever scrap of paper I can find and growing into themselves as I write.

By Human or Non-Human Hands?

But around this time last year, two characters began to take shape in my mind without conscious plotting on my part. I still made hastily-scribbled diagrams, but instead of being spiderlike sigils of creation, they were more like a record of beings that were already there..

I wrote them almost obsessively, unable to think about anything else. And this entire world began to take shape as I worked, growing up around the characters in a suspiciously organic fashion.

But one day around Beltane, they were suddenly gone. The world and its inhabitants no longer spoke to me. I could no longer see where I next needed to go, and so I let the project fall. Because while I could have simply invented the details and carried on writing, it felt wrong to do so.

For months I missed them like distant friends. I wanted to continue their story and spend more time in their world, and in September I got my wish.

They had returned. I could see their world once more, and their stories began to speak to me again.

But instead of jumping back into their world, I held back. Why?

Because I realized that they had returned at the same time as the acronychal Story - pleiades rising of the Pleiades. Moreover, their Beltane disappearance coincided with the yearly disappearance of the Pleiades from the night sky. It seemed a little too coincidental, especially when the characters you’re writing are Gentry who worship the ‘Seven Queens’.

Now you’re probably wondering why I’m telling you all of this instead of simply getting into the CAOS.

I’m telling you this because I wanted to illustrate the point that story doesn’t always come from humans, and that sometimes there are non-human hands in the mix as well.

Otherworldly Media and Narrative

What do a bunch of ‘cave goblins’, Irish fairies, and a long-dead Icelandic völva spirit have in common?

If my sources are correct on this: they have all either historically been interested in modern communications technology and/or media, have already arguably exerted their influence, or have reportedly expressed an interest in doing so.

As outlandish as all of this may seem, this is not so different from the kind of otherworldly interest in creative types recorded in older sources. The storytelling bard has become the TV show writer, artists who may have painted scenes from Fairy while locked up in Bedlam, now create digitally, and famous Fairy-Firkler Morgan Daimler has been pointing out the weird waves of disinformation about Themselves online for a while.

(I mean, come on…plastic is the ‘new iron’?)

Why would humans be the only beings to adapt to an ever-changing world? Why would the otherworldly not continue to interact with and influence creative types as they have done for generations?

Sabrina Goes to Hell(ier)

Which brings me to the point of this post. Yet again, the Chilling Adventures of Sabrina has angered modern Pagans and Witches. This time though, it’s the depiction of the ‘Pagans’ that seems to be the source of the greatest ire.

I have a lot of say about that ire in general. But I’m going to limit myself to making the following two points:

That the ‘Pagans’ are not so much human worshippers of Pagan gods, but beings that were seen as being potentially monstrous (if not outright so) by their own Pagan period peers. Yes, as unjust as a monstrous read is when it comes to figures like Medusa and Circe, that’s probably how many people at the time probably saw them.
That the Greendale coven now worship Hecate. Which means that they’re now technically Pagans too. (Congratulations! You no longer have to get mad that they’re Satanic witches.)

Oh and about that whole thing with Pan and the Green Man: didn’t it feel a little familiar? Kind of like we’ve seen that alliance somewhere before?

Ah right, yes. Hellier season two. Again.

And I’m not the only person to have noticed the similarities either. According to the Twitterverse there was even a tin can moment in CAOS pt 3 (that I missed, probably because I tend to watch things like sewing/knitting/spinning).

A Topsy-Turvy Story

CAOS pt 3 was a story of different factions and battlelines. The Satanic was revealed to be codependent on the Christian for not only its ascent and power, but also help in the form of Mambo Marie (who is at one point described as being Catholic as well as a vodouisante). The ‘Pagans’ were largely actually monstrous beings, ‘Robin Goodfellow’ allies himself with the humans, and the Greendale coven end up (a different kind of) Pagan anyway.

If there’s one thing about the underlying ‘string-pullers’ of Hellier, it’s that the history doesn’t quite add up – at least not in the usual way. Greg is sent a pdf of The Rebirth of Pan: Hidden Faces of the American Earth Spirit, a book by a man called Jim Brandon (pseudonym). It’s a wild ride through archaeology, conspiracy theory, cryptozoology, paranormal phenomena, and Crowley. Rather than the Ancient Greek figure, the ‘Pan’ spoke of in this book (a being which the author argues is actually the conscious, collective identity of the earth/contained within the earth) is an aggregate term, a way of naming what the author believes to be manifestations of this consciousness of/within the earth.

The Green Man (a being associated with this ‘Pan’ by Brandon) of CAOS is also aggregate. The ‘Pagans’ of CAOS are trying to resurrect a supposedly ancient god (that’s apparently actually a bunch of other beings masquerading in a trench coat as ‘our lost connection to nature’). In a sense, he is a manifestation of Brandon’s ‘Pan’ (with a representation of Pan serving as his high priest), set within this uniquely American story that began with colonial era diabolist witches.

And then there’s Hecate – a deity that seems to be becoming more prominent among modern Pagans at the moment, often in a protective/tutelary capacity. Funny how she’s associated with dogs, isn’t it?

The Stories We Tell and the Fucking Zeitgeist

When people on Twitter first began to notice the similarities between Hellier2 and CAOS pt 3, one person remarked that the CAOS producers should have given credit to Greg and Dana Neukirk.

But here is the thing: both series were produced more or less concurrently. Season 2 of Hellier dropped on 11/29/19, and CAOS on 1/24/20. While there are a couple of months between both shows, there wasn’t enough time for anyone to copy anyone else. Moreover, per CAOS showrunner Roberto Aguirre-Sacasa, they were filming episode six in August – roughly around the same time as Greg and Dana et al. were still filming Hellier season two.

Good humans, I give you the zeitgeist…maybe.

Or maybe instead we see non-human hands in human stories and hints of narratives yet to be shaped?

Lessons from the Story of the Time

In my little corner of the world, I’ve noticed a lot of strange things post-Hellier 2. Moreover, more than a few people have hit me up out of the blue with stories that are spookily similar.

I believe the unseen world gained a new faction, and it’s something of a ‘new kid’ on the block. Based on what I’ve seen so far of this new kid, I’m pretty sure the ‘old kids’ aren’t too happy with it. Something – a collection of beings in a trench coat masquerading as something else is trying to come onto their turf. And as humans, the creators and consumers of stories that shape the dominant consensus, we’re faced with a choice (another one).

In CAOS, the Greendale coven is given the (false) choice of joining the ‘Pagans’. But instead they choose Hecate, their ancestors (of blood and of practice), and ultimately each other.

Despite the fact that it’s a TV show, I think there’s a valuable lesson in that for witches. Because regardless of tradition, most of us already have relationships with have gods, ancestors, and other beings. Some of us also have magical siblings of sorts too. These are the relationships that have long sustained us. And even when we don’t have those things, the older beings tend to have track records that we can refer to when making our choices. Cleaving to those that are proven hael (by experience or reputation) is probably the best choice.

January 2, 2020

What Witches Can Learn From Geralt of Rivia

Witches and Media

As a community we spend quite a bit of time discussing modern media and debating the possible lessons that can be taken from different shows or movies. And this is a good thing. Because despite the all-pervasive and easily-accessible nature of this particular consumable, the media we produce and consume as a society is important.

You see, I don’t think that there is any such thing as “just a TV show”, “just a book”, or “just a story”. Storytelling, in whichever form it takes, is inherently magical. It is the mirror that shows us who we are, shadows and all. But most importantly, it can be an agent for change. Especially when millions of people become emotionally invested in a story.

Take a moment to think about the last spell or magical working you carried out. Think about what you did, and (more importantly) why you did it. Think about the reasons why you used the materia magica you did, or why you performed the actions you did, or approached the deities you did (if you did). I’m betting there were parts of the backstories of those deities etc. that fit with the story you were trying to tell, right? What is magic if not changing the plotline of one’s life or current circumstances? (Congratulations, you’re all fanfic authors!)

If anything, we should be thinking about media and what is being presented to us more, not less.

The Witcher and Witches

Like many people, I kicked off my Yuletide by watching Henry Cavill wielding a big sword while wearing leather pants (just kidding, I also finished a spinning taboo-along and did religious things too). It was pretty much everything I like in a show: swords and sorcery, humor, likable characters, and at times, absolutely balls-to-the-wall weird.

But despite its fantastical nature, I think there is an important lesson to be gleaned from the show, and one that is becoming increasingly important.

For those of you who haven’t seen it, Geralt of Rivia is a Witcher – a mutant created through mysterious and deadly processes in order to fight the otherworldly and monstrous on the Continent. It sounds like the stereotypical D&D dungeon crawl (but on TV), right?

As a dungeon-crawling fool myself, that was my expectation too. But then I noticed something about how Geralt dealt with the beings he encountered that I think more witches need to take to heart.

Geralt doesn’t just kill/drive out indiscriminately. Again and again, you see him trying to walk a middle path between the monstrous or otherworldly, and the humans who are all too often selfish and uncaring. Instead of just seeing the monster, he sees beings with needs and motivations, and only kills where necessary.

And this is where I think we can learn from him.

Banishing as Default

If you’re a witch and your life is anything like mine, you’ve probably been called upon to clear houses or deal with troublesome spirits more than a few times. I’ve been that person that people go to for that kind of thing since I was about nineteen ( I’m almost forty now), and I’ve dealt with situations that quite frankly belong in a horror movie. I have a whole bunch of XP in scary shit and a fucked up sense of humor to boot.

Like pretty much everyone else coming up in our cultural paradigm, banishing, binding, or trapping was a default response. That’s kind of our predominant cultural paradigm when dealing with those we consider ‘other’? Hell, even the infamous BBQ Becky is engaging in this on a mundane level when she calls the cops on Black people for having the audacity to have a BBQ.

The knight always kills the dragon, the exorcist always drives out the demon, and the otherworldly or monstrous is pretty much always slain. That is what our media typically shows us, and it’s also the message of the dominant religious paradigm.

But these methods of “dealing” aren’t the only ways to deal, and they’re not necessarily the best in most cases. Like Geralt of Rivia, I think we need to start thinking in terms of needs and motivations, and seeing what we can do to address them.

In other words, we need to be walking our talk and actually treating the other as people.

(Warning: Some reflection of how you treat other people may occur.)

Leaving the Magical Murderhobo Life

I’ve been working on this for about five years now, and I’m not going to lie, it’s not easy. However, my life has been much easier since I adopted this approach. The simple act of asking a non-human person what they need or if there’s anything to be done to make amends and potentially lay the foundations for friendship is powerful. It’s also in most cases (in my more recently acquired XP), far more successful.

But it is hard to change approach. Because if I’m being honest, I have quite a lot of knee jerk reactions and trauma there that I have to clamp down on. I may have become the person people go to for clearings at around the age of nineteen, but it really didn’t start there for me. I was very…popular…with all manner of beings as a kid, and a good percentage of them were quite harmful. So it’s a work in progress, and a lot of dealing with the old shadow baggage.

I don’t think I’m alone in finding this change difficult either. Others I’ve spoken to about this have expressed similar sentiments. Trauma or not, cultural paradigm and habits are difficult things to break from.

And I’m not saying that you should never use more wrathful methods – it’s good to be able to handle yourself when things go wrong. But it should never be your first instinct to fight someone just because they’re different.

August 22, 2019August 22, 2019

The Land as Witchcraft Teacher

For today’s blog, I’d like to tell you the story of how I learned witchcraft, and some of the best lessons I learned from my first teacher.

Like many people who end up getting into witchcraft, I felt a draw to all things witchy. Most importantly though, the weird and otherworldly was also drawn to me. Which is good, because witchcraft without the dead and/or Other is just a party for one.

I grew up in a town on the edge of the West Pennine Moors in Lancashire, England, and I was the weird kid everyone else came to ask about getting the “power of Manon” when the movie The Craft came out.

When I was first starting out at the (stereotypical) age of thirteen, our local library boasted only a couple of books on witchcraft. One was The Witches’ Bible and absolutely out of bounds because I knew the librarians would call your parents for taking it out on account of all the photos of naked Janet Farrar. The other was Z Budapest’s The Holy Book of Women’s Mysteries, and as it had no photos of naked people or overtly witchy imagery (at least on the cover), this made it the perfect candidate for withdrawal.

Now, I realize that Z Budapest is a TERFY dumpster fire, and I’m not promoting her in any way. Even then, her work wasn’t to my taste and there wasn’t really any discussion about transfolx to even have the language to describe a TERF. In my backwards hometown in the 90s, dumpster fire or not, she was about the only game in town.

But while Z Budapest’s book may have taught me how to cast my first circle, the moors were my real teacher.

My First Teacher in the Craft: The Moors

teacher - moorland — Wild, heather-covered moorland with clouds dropping to kiss the earth

The moors where I grew up are a wild place, windswept and barren with rocks littered across the heather and grass like broken bones. It’s a place where the clouds meet the land and modern people walk on ancient ruins. And it’s as dangerous as it is beautiful.

When the mists drop and you can’t see further than a couple of feet, it’s easy to get lost. The landscape is treacherous, and the weather can go from snowy to warm sunshine within the space of a half hour. Like Gullveig, the moors of my home county have burned and been reborn. Unlike Gullveig though, she’s performed this trick more than just the three times that Gullveig did.

“Gullveig” being reborn after yet another fire.

Then there are the bogs – the reason why a lot of people tend to stick to the paths.

But for all the danger and creepy stories, I loved them and would spend hours in the wild places up on the tops away from the paths with my little dog.

Some of my first rituals were worked up on those moors, and I’ve seen things up there that few would believe.

There I learned to map the hidden dimensions of a landscape, committing to memory all the places where the Good Folk lived when I found them, and building up relationships as I went. teacher - burial mound

There I learned to sit out on burial mounds.

There I learned to enjoy my own company and be happy observing the shadows of the clouds moving over the valleys below.

There I learned that no matter how badass you think yourself, some places are still best avoided after dark.

Teacher, Counselor, Friend

I haven’t had many teachers during my time, but the best teachers I’ve known happen to also have been friends who give good counsel.

When times were hard, I would take my pain and pound it into the earth through the bottom of my boots. Then (usually at the top of a hill), I would fall to the ground to thank the hills when the knots around my heart lifted.

Other times I’d bring her my magical problems, and I’d think about them as I walked until I happened upon the perfect piece of materia magica to work into a spell. Soon I was bringing back things like sheep skulls and working the teeth into amulets. It didn’t matter what she threw me either. When I got the sense that I was supposed to use a thing, I instinctively knew what to do with it.

From there, I began to think about questions I needed an answer to, and I would pick up nine straight (ish) sticks at random as I walked. Then when I had

my nine, I’d hold them between my hands to whisper my question before casting them to be read as runes.

At some point though, I began to think about the ‘why’. Why did she throw me those things and why did they work for what I needed to do? Why did I work in that way when working those spells and why did that work?

This is how one of my greatest magical interests was born – deconstructing magical workings in order to discover the underlying “mechanics”. And that kids, is how I got started taking historical accounts of magical workings and trying them out.

The Four Main Lessons my Moorland Teacher Taught

When you learn witchcraft from a land, much of it is going to be heavily localized and possibly even useless outside of that land. But the moors taught me four main transferable lessons that have stood me in good stead no matter where I’ve been.

1. Take a Place as You Find It

The first lesson is one that embraces impermanence. Places change, as do the beings that inhabit them. And a place and its inhabitants may be one way on one day, and completely different on another day. Even if you’ve been somewhere before, never assume that a place is going to be or feel the same when you go back there. Keep on top of your basic witchy skills, and always have your apotropaics and best manners to hand.

2. Avoid a Feeling of Ownership

This is a big one, and it’s something we humans (at least in Anglophone culture) generally suck at anyway. This idea of ownership of land (and all the non-human people on it) goes to the animism thing all the cool kids are talking about. And if we’re being real, as a group we’re still pretty crap at that there animism. I mean, how many of us actually respect the agency of non-human persons? How many people still see them as basically being some twee little vending machines for favors (in exchange for some pretty subpar offerings)?

(Clearly I’m using “us” in the macro sense here. I’m referring to the modern Pagan movement as a whole, so hold your knickers, Beryl!)

The truth is, we all come from a culture obsessed with individualism. A culture in which selfishness and cruelty are lauded as a twisted form of morality – and that kind of fucks us when it comes to the animism thing. Because when everything is already about you and you getting yours, that puts you on a terrible footing for interacting with the not-you. But when you bring a sense of ownership into the equation (of both the land and by extension the sentient beings who also live there)?

I mean hell, we can’t even get it right with other humans. Feeling a sense of ownership over anyone or anyland is one of the first paving stones on the road to hell.

And this is not me saying ‘don’t buy property’ or that I’m coming to take your toothbrushes and make you use some communal, opossum-managed toothbrush (holy shit but I love opossums). No. Own on paper if you need to, but recognize that it’s just a formality for the stupid humans. Instead work to become a part of your land and grow the understanding of belonging to in your heart.

3. Try to Figure out Your Place in the Big Picture

Speaking of belonging to – this mindset sets you up to contextualize yourself within the bigger picture of the place you inhabit. You’re no longer an individual over but cohabiting with. Where are you in your “neighborhood”? Who do you need to avoid pissing off and who do you need to give a little more care and attention to?

If you consider yourself an animist, try putting yourself in the shoes (or roots) of a tree or plant in your community of lives. What do they experience on a daily basis? Who do they interact with the most? What problems do they have with their nearest neighbors? How do you help them (or harm them)?

An interesting thought exercise, no?

Every Land has its Stories and You Should Learn Them

When we were kids, we passed stories like schoolkids pass nits. Stories about

“Yes officer, I believe it was Granny Greenteeth, in the tarn, with some kind of eldritch magic.”

Granny Greenteeth, “Bannister Dolls” (don’t ask), black dogs, ghosts, and the occasional boggart tale all ran round our groups. Especially on the dark nights when we couldn’t find anything really to do but lurk on the streets and tell each other creepy stories (in winter it’s usually getting dark by four in the afternoon where I’m from).

But these stories are important because they’re what help you to fill out the hidden dimensions of a land when you first arrive. This is how you build your witchy map of a place and figure out where to start attempting to build relationships. Not only that, but they can also give you clues as to how to survive should you encounter some of the nastier parts of the local unseen.

For example, I now live in Maryland. There is an alleged cryptid here called the Snallygaster who is apparently the mortal enemy of the Dwayyo – a kind of huge, monstrous, wolf-like being. I’ve also noticed some interesting parallels between some of the circumstances surrounding the mysterious National Park disappearances and Jinn lore, and I know that wolves are also associated with causing Jinn to vanish. So now I include ground down (legally obtained) wolf bones in the black salt I make to carry in my bag of tricks.
See what I mean?

April 12, 2019April 11, 2019

“Reality”

Reality is a funny old thing, isn’t it? For starters, everyone thinks they know what it is. We all have clearly defined ideas of what is ‘real’, and what is ‘a bridge too far’, and while there is some degree of variance between individuals, on the whole there is still something of a consensus.

This my good people, is what is known as “consensus reality”.

Examining Consensus

I’ll admit, the first time I heard the term “consensus reality”, it somehow managed to make all the sense in the world, and also sound like bullshit all at the same time. It just sounds like one of those terms that crazy people make

reality - VR — Another wonderful experience in a human-created reality! Thank you for trusting Rekall for your memory needs!

up, that sound scientific, but really are not.

However, when you think about it, and especially in the context of what we know about how the brain perceives and stores information, it makes a lot of sense.

You see, consensus and prior experience (which is also subject to consensus) provide the framework for how we perceive and remember the world around us. This is part of why the Overton Window is such a big deal. Because if you shift the consensus, then you shift the very framework through which people perceive and interact with the world. (Those “culture wars” don’t look so fucking stupid now, do they?)

But how does this all work?

From Senses to Storage

Our senses take in a lot

of information per second. According to the Hungarian-American psychologist, Prof. Mihaly Csikszentmihalyi, we take in around 2 million bits of information per second through our five senses. Now that’s a massive amount of information, and so it’s probably no surprise that the brain cannot store it all. After all, the brain is like any other storage device – it has finite capacity.

So what does the brain do?

Well, this is where the conscious mind steps in and basically edits, deletes, distorts, and generalizes this information down to a more reasonable 134 bits per second.

Or does it?

There is some disagreement as to the amount of compression taking place here, with the Encyclopedia Britannica citing a compression ratio of 11 million bits of information perceived to 50 bits stored. Which suggests that we remember even less about what we perceive than believed by Prof. Csikszentmihalyi.

The Editing Room

So how does our conscious mind decide what to store and what to dump?
Multiple studies suggest that interpretation and storage of information is massively influenced by prior knowledge and experience. In other words, we interpret what we encounter and build a complete picture of our world, from within the framework of what we think we already know.

This is also where consensus comes in, as part of that prior knowledge is informed by consensus. It is quite literally the ‘style guide’ for your brain’s internal editor.

So when I see arguments online about “reality” that are largely based in the enforcement of the scientific materialist consensus that has dominated for so long, I can’t help but roll my eyes.

Why?

reality - fairy — Unbelievably, Pixabay has no images of fairies wearing roller skates with neon signs. I am disappoint.

Because if you hold to that consensus strongly enough, a fairy could literally skate by you wearing a tutu and leg warmers, with big, flashing lights saying “I’m here!”, and it wouldn’t matter because your brain would just edit it out anyway. It would just be another bit of information out of 2-11 or so million that just gets edited out within less than a second. You wouldn’t even know you’d seen it. Hardly makes you an arbiter of reality, right?

Let’s not kid ourselves here, there is no objective reality when it comes to your senses and what is stored. If anything, the consensus that people cleave to is probably best thought of as being something akin to the Matrix. So why not go ahead and trust your senses (after you’ve ruled everything else out)? Well you know, as long as they’re not leading you to do something harmful to yourself or others…

Hacking ‘Reality’

However, unlike the Matrix, both the brain and consensus are somewhat “hackable”. All you really need to do is just change the narrative and keep repeating the same narrative until it becomes the prior knowledge that “everyone knows”. This is basically how people like Donald Trump get entire groups of people to believe in things that would have been considered too ridiculous to consider even five years ago.

This is also how you can consciously choose to change your perception. Ever wonder why some people always see weird shit and others don’t? It’s all down to perception and the ‘style guide’ your conscious brain editor is working to.

In my opinion, this is a big part of why you see some of these ‘trends’ in the kind of phenomena that people report experiencing around the same time that entertainment media is focusing on similar things. Are people really seeing that stuff, or are those things arising from the energy and belief of the consensus and becoming entities in their own right? Who knows? It’s kind of like Schroedinger’s cat in that we just don’t know and cannot know without somehow opening “the box”. But ultimately it doesn’t matter either – especially for magic workers. Because we tend to have to work with what we encounter, in the form in which we encounter it, and at the time when we encounter it regardless.

(As an aside, this is also why it doesn’t matter what fairies originally were. If you don’t work with what they are now, learning from the people who have continued to experience them, then you’re not only being an arrogant dick to the cultures in which these beliefs still survive, you’re also probably going to run into trouble sooner or later. That is if you’re actually encountering them, of course.)

To return to the main point though, this is also how you can work to hack your brain to see more stuff that you may not otherwise see. And you do this by repeatedly and consistently setting down the layers that change your ‘prior knowledge’ about the world and what is possible. In other words, you demolish that “bridge too far” brick by brick.

Unpacking Realities

All of this talk of a somewhat malleable consensus reality though, does beg the question of whether or not there is an absolute reality that is untouched by consensus. A reality that exists regardless and that serves as the foundation upon which all else is built.

Personally, I think this is something that is self-evident. After all, if we are editing things out to fit in with this created reality of the consensus, then it’s

reality - elephant — “Is it me, or is this reality thing a little cold, hard, and wrinkly?”

logical that the unedited version is the absolute reality, or at least as much as a human can perceive of it. Moreover, if dogs can smell more than us, and mantis shrimp can see colors we cannot even conceive of, then we can infer that this absolute reality is also beyond human concepts.

But what is this absolute reality?

I don’t know, but I personally believe it is one that is interconnected – that we are all connected in a tapestry of energy, consciousness, or whatever other word best fits here. And that the interplay between absolute and consensus realities is best imagined as being like a glass of milk with melted butter floating on top.

This absolute is beyond concepts and limitless. It is also a state in which a magical practitioner who is able to perceive and manipulate even the smallest portion, would not only have greater wisdom, but also possibly the ability to do some truly wondrous stuff.

There’s just one catch though: if this absolute reality is one of interconnectedness, then if you ever get to that level, it’s a cookie either poisoned or blessed by your actions that we must all ultimately eat.

Thank goodness for that psychic censor, right?

March 28, 2019March 29, 2019

A Magical Go-Bag Tour

In my last blog I talked about the process of putting together a magical go-bag, and some of the reasons why a witch might want to. In this post, I’m going to give you all a tour around my main magical go-bag to give you an idea of some of the options that are out there when putting these bags together.

My Magical Go-Bag: A Backstory

Call me paranoid, but I’ve always carried some kind of magical supplies on me. I’ve just had that kind of life. Ever since I was a kid, I’ve been the proverbial poop pile to the supernatural flies, and so always having some supplies on hand just makes sense. However, the impetus to create a dedicated bag for going out on the battlefield (or whatever else I’m up to) only came last year. Before then, my bags were all repurposed, or small bags that I’d just shoved into other, bigger bags. Last year though, things changed

To cut a long story short, working more intensely with the dead led to other spirits showing up. One of those spirits was a crane-dancing woman who told me to create a what was essentially a magical go-bag. Jokingly, I called it a “crane bag” (because it was a crane-dancing woman who told me to make it). However, the connection between the crane bag of Irish lore, and the Irish analog of the Welsh god who has played a pivotal role in my battlefield work also did not go unnoticed.

So off to the internet I went to scroll through endless pictures of “crane bags”. But none of them worked for me, and soon became clear that the best option was to make my own. So I did.

I knew from the outset that it had to be grey and hardwearing. The inner fabric – which could be softer – was a chance find that I chose for the deer in the pattern (an animal that’s long held significance for me). I came across the giant crane-patch by chance while searching for fabric, and well, the idea of a “crane bag” with a giant crane on it gave me a chuckle, so naturally I slapped the ‘purchase’ button.

Making the Bag

I’ve never been a good (or even competent seamstress). I don’t know what happens but I can start off with a perfectly good sewing machine, and then it all goes wrong. The tension decides to do its own thing, then the thingie in the bottom is also like “fuck you”, and in the end, it’s raining, the earth is falling in, and I’m about ready to pitch the machine out of a window. So the prospect of creating a go-bag was daunting to say the least.

I used this tutorial at the recommendation of my mum (thanks mum!), and although it didn’t quite work out (because: me), I came away with a serviceable bag with the custom pockets that you can see here.

magical go-bag - pockets — Custom knife pockets ftw.

Once made, I consecrated it in a small ritual to Manannán Mac Lir as it seemed like the right thing to do at the time. And in the end, I think it was the right decision as it triggered the dream experience that you can read about here.

So that’s how, and the why of creating my go-bag.

My Essential Items

Now here is where I finally get to the things I consider essential for how I work, But as I mentioned in my last blog on this topic, your mileage may vary.

Hag Stone

Function: Apotropaic and tool.

First on the list (but not necessarily in order of importance) is the hag stone or holey stone. These are stones that have naturally occurring holes through the middle of them, and although I haven’t really found good scholarship on them, my experience has been that these are both effective tools and apotropaics. They’re protective against the Unseen, and allow you – again, in my experience – to see through glamours and things that are normally unseen if you look through them.

You can sometimes find them along rivers, but they are also readily available to purchase online. I would advise caution when purchasing these online though as some unscrupulous vendors try to pass off drilled stones as genuine hag stones.

Black Salt

Function: Hardcore apotropaic.

Next up is black salt. Salt is a great addition to any magical go-bag in general because it has so many uses. You can use it to salt boundaries, protect, and banish. But black salt is just taking regular old salt and leveling it the fuck up! The addition of iron, ash, and (in my case) ground wolf bone, makes black salt an excellent addition to a go-bag. It’s like an apotropaic powerhouse!

Even better, if you make your own black salt, you can build in extra layers of apotropaic magic into the creation process! Why just scrape some iron from your pan when you can use your pan to burn prayers asking for divine favor with some protective herbs, then add that to your fire ash before scraping the pan for iron? I have a dutch oven that I use specifically for ritual work so that I don’t have to wreck my cast iron cookware; it was $10 from a thrift store – bargain!

Spindle and Fiber

Function: Tool and offering.

I use a lot of spinning in my magic, and especially when it comes to working with spirits. Spinning in a space can trap both dead and leftover remnants of energy that might “grow up” to get its own ideas and start its own trouble. Spun fiber can provide a bridge, delineate space, and serve as an offering in its own right. I have two spindles that I typically use in ritual work: one is a collapsible spindle that fits in my bag; and the other, my large one, was a gift to thank me for help given. I adore my large one because it feels weighty and authoritative – like a wand. It’s something I’ve wielded in ritual before now when opening portals and working my will. The collapsible one lives in my purse (yes, it’s that small) along with the sheep knuckle I use for yes/no divination.

Railroad Spike

Function: Apotropaic and tool.

This is something I tend to swap out with my black-handled knife. There’s a resonance to this item that just works. I’ve engraved it with words of power (which I won’t show here), and it’s one of my favorite spirit weapons for subduing, setting up some hardcore protective space, or for when things go bad. I don’t know whether it’s wholly iron or steel (which is mostly iron anyway), but it’s kickass anyway.

Red Yarn

Function: Apotropaic, tool, McGyver goodness.

This is one of my more McGyver-type items. Red thread can be used to bind and protect, or create new items (like a crossroads effigy or protective rowan cross). It can also be used for knot spells, marking off space, and much more. The yarn I use is hand spun with intent and then ritually consecrated.

Offerings of some kind

Function: Offerings, because being a magical murderhobo is bad.

And finally, because being the magical equivalent of a D&D murderhobo is not something that any of us should aspire to, I carry offerings. So many situations can be avoided or calmed by just communicating and making propitiatory offerings. Easy offerings to carry on the regular are cornmeal, tobacco, water, cedar, and small sealed butter or cream packets. Just please, take any trash home with you so you don’t ruin any of your good work by doing anyone the disrespect of leaving trash in their space.

November 18, 2016February 8, 2018

Deciphering the Alien Views of the Unseen

This past fortnight seems to have been a time for confronting and dealing with what may seem to each of us to be “alien views”. But I don’t want to get into the politics of that here, because that conversation is dominating the discourse pretty much everywhere else.

No, I want to go in a different direction with this post. Instead, I want to talk once more about agency, patterns, and if it is truly possible to understand that ‘alien’, non-human logic of the Unseen.

In “Fair” Facebook Do We Lay Our Scene

It all started with a conversation on Facebook (where else?) this morning, with a young man who thought there was nothing wrong with putting on a Native American war bonnet while in the ‘wilderness’ and invoking the energies of a Native American chief. (This is a young man who is from and still lives in the UK, I might add.)

I have to admit, the idea of that – all of it – is just so wrong to me for so many reasons. I can’t even understand the thought process behind it or what this man would hope to even gain from doing so, let alone the amount of false entitlement involved in the use of a war bonnet and expectation that the spirit of a Native American chief would just show up for a person in a completely foreign geographical area.

The conversation went on for a while, but along the way, we got back to the question of agency and spirits of land again. (Ah, that old chestnut!) So here I am, writing another post on the Unseen and agency, only with a little twist.

I’ve talked about the land being like an onion before: this idea that land from a more ‘spiritual’ perspective is made up of many layers comprised of the traditions, beliefs, actions, and magical practices of each people that has ever dwelled upon it. Of course, this onion also affects the kinds of Unseen that might be there: the types of Unseen, their attitudes towards humans, how they expect interactions to look, the pacts that were made between humans and Unseen in years past, and the kinds of offerings they like. Sometimes these layers are things that you might expect. After all, who doesn’t expect Native American layers, and other layers made up of mostly Christianity in America? But even in America, there are also often layers that are far less expected – like the layer of occultism derived from Francis Barrett’s ‘The Magus’ that permeated the life of Joseph Smith, the founder of Mormonism (Horowitz, 23), or the Freemason connections that a good number of the founders held. And regarding that first American religion, I can’t help but feel it significant in some way that its founder and first American prophet not only participated in the occult for years and scryed a holy book from a shew stone, but met his death by mob while allegedly wearing an incorrectly engraved Jupiter talisman. (Quinn 1998). Let that sink in for a moment. America may have layers of Native American religions and crosses, but she also has layers of sigils and magic – even among the saints. (As an aside, there’s a book I really want to pick up at some point called Awash in a Sea of Faith: Christianizing the American People that apparently attempts to track the plurality of religious expression, magic, and sacralization of the land in pre-revolutionary America.)

But that’s not the end of it. Now imagine that onion has a pattern running through it. Something scored on each

Unseen - Jupiter talisman — Joseph Smith’s Jupiter Talisman

layer that has built up into a larger and more coherent pattern over time.

For those of you that bought my book (thankyouthankyouthankyou), you may recall the essay called Sources of Power, Layers of Action and the explanation of how what we do now affects what we have to work with in the future. For those of you that didn’t, a Cliff Notes version of that would be to say that every action a person undertakes sets down a ‘layer’ for that person that goes into a kind of universal store of events and that the accumulation of those ‘layers’ over time, affects what you have to work with in life. In other words, it all builds a pattern, but more about that later.

Space As A Container For Action

In ‘The Well and the Tree’, Paul Bauschatz wrote that “For the Germanic peoples, space, as it is encountered and perceived in the created worlds of men and other beings, exists, to any significant degree only as a location or container for the occurrence of action.” (Bauschatz 86). This is a pretty significant concept in of itself. After all, I think most of us have been to places that have had a certain vibe or lived in homes we’ve felt were ‘luckier’ than others. However, we are also told that , “Every action calls to itself other actions to which it is significantly linked.” (Bauschatz 64), and that “They would bring factors from beyond the immediate to work and predicate events, returning them, as it were, to the great universal store of events from which all power came and in which all meaningful action returned.” (Bauschatz 113).

In other words, if space is a container for action, actions set down layers (which call other similar actions to themselves), and there is a force that ensures that those contexts are revisited, then it would stand to reason that spaces have ‘patterns’ or contexts that get revisited again and again. Not only that, but these patterns don’t just affect humans; as the first Bauschatz quote says, these spaces-as-containers-for-action also seem to apply other beings too. Or at least that’s the best guess of what Germanic Heathens thought about the matter during the Heathen period.

As a caveat, Bauschatz does limit these space-containers to spaces that are enclosed, but I think they can apply to outside spaces too. After all, if we believe in the existence and agency of Unseen beings, then why wouldn’t we believe them to be capable of creating and delineating their own spaces and enclosures that we just cannot see?

When you really think about these ideas, ideas about layers and patterns, even just as a thought experiment, it’s really no surprise that you have oddities like the freak accident that kills every seven years at a river that was once

Unseen - The River Ribble — River Ribble

connected with a Romano-British goddess. Or that you have geographical areas that seem to have more murderers born within their boundaries than in other places. Or, as one of my favorite podcasts has been exploring of late, that there are places in which more people just seem to go missing (in the creepy ‘just disappear’ sense of the word) than others. Or why some houses seem to be a curse for those who live in them. Or…or…

Bauschatz’s work may be theoretical, but I do find a lot of practical application in his ideas, especially in light of my own experiences and UPG.

To Forget the Past is to Repeat the Future….

Does any of this give us the keys to these “alien views” of non-human persons though? No, but there’s a lot to be said for drawing closer to an understanding of some of the (even theoretical) “rules of play” so to speak. As always, the best way to understand as much of that non-human logic as much as possible, is to go back to the fairy and folk tales. These rules of play further reinforce the importance of knowing the old tales, and the warnings and rules of etiquette they contain. To know the past and the things yet unknown to you in the present, is to have the best guess of how to proceed in the present. The future will be made when we get there.

I’ve written about understanding the previous religious, magical, and folk traditions held in the layers of the land onion before now. However, I think these layers are also patterns, groupings of actions that call out to actions that are similar to themselves and which are more likely to reoccur. For many people, the great religious story of the US is that of Christianity, and yet for people like you and I, the far greater story is in the Joseph Smiths, the Fox sisters, the many homes in which a copy of Barrett’s ‘The Magus’ sat, and the myriad of other long-standing religious traditions that cluster in this land somewhat off the beaten path of the Nazarene.

Because it’s a story in which the Unseen were somewhat more seen, and that’s not something they’re likely to forget.

Sources
Mitch Horowitz – Occult America
Paul Bauschatz – The Well and the Tree: World and Time in Early Germanic Culture
D. Michael Quinn – Early Mormonism and the Magical Worldview

August 23, 2016January 10, 2018

The Agency of the Unseen

There’s a lot of talk nowadays about spirits, big or small, having something called agency. In other words, they’re capable of acting independently and of making their own choices. Most of the discussion on this has been framed within the context of the perennial Pagan community debate about whether deities should be seen as archetypes or as beings with agency (there’s that word again!), but I’m yet to see any talk about what it means to live in a world populated by countless unseen beings who all also have agency.

Ok, that’s not fair, I think Morgan Daimler spends a lot of time talking about that kind of thing – heck, along with articles telling you how not to get completely fucked over by all things fae and sorely needed new translations of Old Irish materials, I would say that a good chunk of what Morgan does is try to impress upon her readership this idea of agency and the Unseen.

But how many of us truly think about that? How many of us truly appreciate just how *big* that idea is? This is something I’ve been thinking about quite a bit recently (hence the lull period in blogs, I mull while I lull), and I’ve come to the conclusion that while a lot of us would agree with the sentiment when asked, that very few of us have really internalized that concept and way of looking at the world.

I don’t think it’s anyone’s fault, nobody is ‘lesser’ for it, it’s just that I think we forget that conversion isn’t something that happens overnight, and what is really taking place is a complete worldview overhaul. That shit takes time and it isn’t easy, especially when most of us live in a predominantly Judeo-Christian society in which so much that many of us take for granted is a product of that worldview. When you first start noticing those innocuous little things that you’ve never really thought much about before but that are Judeo-Christian though, it’s kind of like that moment when Neo first sees the Matrix – only thankfully a lot less dramatic.

(Note to reader: Don’t watch the Matrix after drinking a load of absinthe, Morpheus becomes kind of creepy and you’ll never hear him say that long “yes” the same way ever again.)

It’s everywhere: from the cartoon depictions of souls leaving bodies; to the virtues that most of us are brought up unseen - tom and jerry death scene with; to terrifyingly huge chunks of political discourse and so much more. After a couple of decades at this malarkey, I’m finding the differences to be substantial enough that it’s starting to feel like code-switching when talking to people who aren’t Heathen/Pagan/Witches/Druids, and I didn’t even grow up in a particularly religious home. Seriously, I grew up only vaguely Church of England (cake or death) with a mother who graffitied her bible with the names of the Monkees and a Spiritualist father. I also know I still have a long, long way to go and probably won’t manage to completely throw off that Judeo-Christian worldview in my lifetime. Realistically speaking, this is really a generational game, and NONE of us should feel bad or ‘less’ if we struggle to internalize a concept.

So what would internalizing that concept of the unseen having agency really mean or be like for most of us?

Only like going down the best motherfucking rabbit hole of all time!!!

Unseen - tardigrade — “Hi, I’m a tardigrade.”

We’re all used to living on this beautiful and mighty Middle Earth, we’re all used to sharing it with other humans, flora, fauna, insects, and countless other things at the microscopic level. I mean, tardigrades! How neat are they? They’re brilliant, like little bears that were made out of off-cuts from a camp bed factory before being inflated, and that can only survive pretty much EVERYTHING! If those guys had a theme tune, it would be this (btw, you’re welcome for the earworm). Now imagine how much *bigger* that all gets when you include the countless different types of Unseen (of all types and sizes), because where else do you think they live?

They’re all right here with us, and guess what, if we accept that we can build reciprocal relationships with them, then we also have to accept that they have their own ideas and plans about *everything*. Just as we look to interact with them, what if they look to interact with us? What if they go out of their way to do so? What if, like us, some of them are better at it than others?

Now look at history, do you really think they just left us to our shit? What about current affairs? Do they still just leave us to do what we do (which seems to be “mostly fucking up” by the looks of it)? And if they have agency, what about their histories and their current affairs? How much do we affect those? What about the unseen that inhabit certain realms like the sea or sky, do they affect things like the weather? And in the same way that we humans can pick up on the emotions of others and get carried away by mob mentalities, can that bleed through from either them or us?

Unseen - big ball of twine — Kinda like this, but BIGGER!

It all gets pretty big when you think about it like that, doesn’t it? Like a massive, knotted ball of string that is weirdly very important to unravel, but at best all we can do is work carefully so as not to make anything worse.

You know…and then pass it on to our children when we die.

For some good tips on working carefully while trying to unravel that ball and maybe even have some wins, check out this blog post by that Morgan lady; and I’ll be back with a post on elves and witches when I figure out how to condense such a big topic into a blog post.

June 13, 2016January 10, 2018

Re: The Otherworld Is Bleeding Through

Re: The Otherworld is Bleeding Through

On the 9^th of June, Patheos blogger John Beckett wrote that the Otherworld is ‘bleeding through’, and that even though his awareness of this is a more recent thing, he’s of the opinion this has been going on for longer.

Although that might sound like crazy talk (after all, how many people have believed themselves to be living in pivotal times?), it’s no surprise to the people that know me that I agree with John.

I would say it’s been going on for a while – years even. Back then I was foolish enough to email a famous paranormal investigator for their input, to see if they’d noticed a rise in cases, but as I wasn’t mailing about a potential opportunity for publicity or financial gain, I was called ‘unprofessional’ and sent on my way. Back then it felt more like flood and ebb, there would be periods of crazy activity and periods of relative calm – or at least it did to me. It was around late August last year though when things really ramped up. After asking friends on Facebook if they were noticing or experiencing anything, and receiving affirmative replies from people who typically don’t experience the strange, I really began to take notice.

Not that I didn’t take notice before, but generally when the people who don’t usually get that kind of thing happen to them start to get that, well, it’s far more compelling than when people like myself (for whom these things tend to be ten a penny) get them.

Friends told me of white dog apparitions that lurked at the edges of the woods, of dreams of the dead that felt far more prescient than dream, and premonitions that came to pass. As time has gone on since then, more ‘woo’ friends have told me of hauntings returning that hadn’t haunted for years, of the return of spirits lain years before by exorcism, and of sighting the Slúa of all things.

At first I worried about what could be going on. I ritualized and performed divination after divination, and kept getting the same message back. That the ‘Other’ was now here, that they were rising up and coming back, and couldn’t be happier about it. This was to be our new normal.

In this, John Beckett and I are in agreement. Curiously, this is something the Fairyist survey seems to also be bearing out in that the sightings that people are reporting – at least of the feeorin – are far more in keeping with the view of centuries past rather than more modern ideas of fairies.

In January I wrote my posts about upping our collective game as witches, pagans, ritualists, or whatever sweet label we go by. This is a big part of why I wrote that post, because in spite of all the fake being sold as real that flies around, the real shit is there too – and really *close*. Regardless of whether this situation is temporary or permanent (I’ve seen some debate on that) though, we need to be bringing our A-game because things have the potential to get far more real, far more quickly than before.

Even outside of the more dramatic encounters, on a more day to day level, the sensitive people in our communities are already suffering in this current climate – that’s if the communities my friends are involved in are anything to go by. I’m seeing and hearing about a lot of sleeplessness and nervous issues cropping up right now among many, and I’d like to address some tools for dealing with this.

Right now, I would say that we need our gods, and to honor the reciprocal relationships we keep with the beings we keep them with. People looked to the gods for order and keeping the destructive forces outside of the inner yard, I would say that that’s a good thing all the time, not just when woo woo shit is going wild.

We need to make sure we ground and center often, and if you don’t know how to do that, now is the time to learn. We also need to work on our protections, to getting them down so they’re automatic – preferably tied to some kind of physical action so that when things get overwhelming, the muscle memory can take over and pull you back where you need to be. Muscle memory is powerful and often overrides emotional and/or mental states. We need to come up with back up plans for whenever we’re working for the ‘just in case’, and take hard looks at our liturgy to make sure we’re being smart with our words too (I’ll take a look at this in a future blog post, I think). Words in sacred space have weight and one can invite a whole host of trouble when words are used without thought.

We need to dust off the old tales and charms. Folktales can often provide us clues and ways to interact with or survive interaction with the Otherworld. Most of the etiquette that you see going around about how to interact with the feeorin (fae) for example, comes from these folktales; simple things like not thanking them, calling them honorific names such as ‘The Gentry’, or not letting them know that you can see them come from these stories. The old charms are often the most effective too. Iron carried upon the person or under the pillow can lead to more peaceful nights and costs far less in the long term than melatonin after the initial outlay. Shoes can be utilized as ‘spirit traps’, hung on bedposts, or stuffed on ledges up chimneys. Rowan crosses bound with red thread can protect against the feeorin, salt can be poured over thresholds, and multiple types of herb can be hung/burned/sprinkled in the home to clear or protect.

Admittedly, some of the old practices can be downright dangerous (probably even illegal nowadays), especially to Otherworld - Troll Cross children, but can be made safe with some adaptation. For example, the opened iron scissors hung over a crib can easily be a forged iron troll cross (or anything else that’s iron and not sharp) stuffed under the mattress of the child’s bed (or hung on the wall if the child is old enough), and we really don’t need to go back to testing our children to make sure they’re not changelings (by incidentally torturing or killing them).

But most importantly, we need our human tribes, our families, our friends, and our trusted people. We need to look after each other, because while things may not get horrific, we may be in for a bumpy ride while we adjust.