Omens: The Otherworldly And Odin

An Opening of Omens

If you’ve ever watched Chilling Adventures of Sabrina, you may remember an episode that begins with a few seemingly inconsequential happenings. These are subtle things that range from the way a loaf of bread splits while being baked in the oven, to a broken mirror in an empty room.

Omens can be tricky things, especially when they’re subtle. How to know whether that flock of birds fighting in the parking lot is an omen or just some avian drama? Or what about the vultures that scream at each other so loudly you can’t help but look outside? (Double points if they fall silent as soon as you “get the message”.) Are those crows really sent by the Morrigan or those ravens of Odin? And what’s with that sudden, unseasonal influx of black insects in the home?

“Speak rede, birb!”

These things tend to be subtle—until they’re not.

“Human Omens”

So far, the omens I’ve described are quite traditional. People have been reading the movements of birds and insects (among other things) for a long time. But one thing we don’t seem to read as much when it comes to omens, is the behavior of other humans.

We humans often make plans and telegraph what we’re about to do next. That’s not the kind of thing I’m talking about here though—as always, we deal with subtleties. The kinds of human behaviors that interest me are those that aren’t quite so consciously realized.

So, what do I mean by that?

Inspiration, Creativity, and Prophecy

When I get the sense that something is stirring on a subtle level, one of the first places I look for omens is our collective “fruits of inspiration.” So, in other words, I look to what our writers and artists are putting out, both in our communities, as well as in larger media productions. I’ve discussed this before on this blog and will talk about it in more depth in my upcoming class, but inspiration is a deeply strange and other thing. In its purest form, it originates from outside the human (as least in the traditions I practice). And out of the three different sources of “human omens” I will detail in this post, this is the one that can also serve as a heads-up that something is brewing long before anything even begins.

Take this passage from the commentary in Jung’s Red Book, for example:

“In the years directly preceding the outbreak of war, apocalyptic imagery was widespread in European arts and literature. For example, in 1912, Wassily Kandinsky wrote of a coming universal catastrophe. From 1912 to 1914, Ludwig Meidner painted a series of works known as the apocalyptic landscapes, with scenes of destroyed cities, corpses, and turmoil.” (Jung Carl and Shamdasani Sonu, Pp 18-19)


World War I, a conflict that would claim around 40 million lives, broke out in July 1914. Yet artists and writers were examining those themes—sometimes with eerie accuracy— years before the first shots were even fired.

Dreams, Intuition, and Divination

The second source of “omens” I look to is my friends. Usually, by the time I get the sense that something is stirring, it’s not long before people start hitting me up if I don’t get in touch with them first. Whenever this happens, I ask about dreams and intuitive hits, as well as any divinatory themes they may be getting. When it comes to prophecy, the image of the seer prophesizing from a high seat is a powerful; it’s what we tend to imagine when we think of prophecy. But if you look back at some of the disasters that have plagued human history, there are often examples where multiple people have begun to dream about the same kind of horrific themes right before something awful happens.

My preference is to view these things in aggregate, with an eye to spotting patterns or themes. And when you get down to it, this is not so different from the process that comparativist scholars engage in when working to trace early Indo-European beliefs and practices through multiple descendant cultures. One a very basic level, you’re looking for frequency as well as cross-cultural examples—especially in cultures that aren’t known to have interacted with each other. Here, I’m looking for frequency as well as cross-tradition examples, and especially in groups of people who don’t know each other. Those are the patterns and themes that interest me the most—even if they run counter to my own experiences and impressions.

Strange Behavior

Finally, the third source I look to, is strange behavior (albeit with some caveats).

In Germania, the Roman writer, Tacitus, wrote about a form of omen-taking from observing the behavior of sacred horses. Unfortunately, I don’t have any horses, sacred or otherwise. But over the years, I have found the observation of my fellow humans to be similarly effective.

Again, we’re talking about subtleties here. But we humans are no less affected by subtle energies and the stirrings of the unseen layers of our world than our fellow inhabitants of Middle Earth. We are no less a part of nature and no less animals for all our plastic and technology. And I’ve found that many of us will subconsciously react to changes in energy as well as whatever-the-hell our gut instincts are telling us at the time. Unsurprisingly, our behavior will often show it too.

I’m reminded here, of my epileptic brother’s behavior in a famously haunted house that stopped as soon as he was removed from the premises. Before my mother wrestled him out the door though, his behavior had become animalistic; he’d taken to the floor on all fours, barking and growling at the tour guide and fellow (ghost) adventurers.

Now, people do strange things all the time. But when you’re finding a lot of unrelated people behaving similarly, it’s time to pay attention, especially if you cannot discern a common cause. And again, in my opinion, this kind of thing is best observed in aggregate and with an eye to spotting patterns. Speaking of patterns: my brother apparently wasn’t the only person to have behaved like that in that space.

In other words, if the tour guide were to be believed, there was a pattern of some people exhibiting animalistic behavior at that site.

That was an extreme example, and I clearly cannot prove that my brother behaved like that due to the unseen of that place. But I do hope you understand what I’m getting at here.

The One-Eyed God on the Road

This all brings me to some of the possible omens I’ve noticed recently. On the one hand, there have been multiple strange conversations with neighbors about an increase in shadow people that “don’t move like shadow people” in the street. (Think less “dart-y” and more “people-y”.) Friends have told me about incidents where they have an experience of “pareidolia” that sounds more like glamour, and that leaves them in doubt of what is actually “real”. Other friends have told me about seeing critters that aren’t there. And a bunch of people are telling me about the disturbing dreams and messages they’ve received of late. Some of these things I’ve also experienced for myself.

These, to me, all have something of an otherworldly feel to them. As does the recent killing of the white stag by armed police in Bootle, UK. (Side note: probably a bad move to kill beings associated with the otherworld when your country is looking at food and fuel shortages.)

But I’ve also noticed that a certain one-eyed god seems to be getting around a lot more nowadays too. More people (some of whom have never interacted with him before) are now telling me about their interactions with him and asking for advice. I’ve felt driven to write about him in great depth. An entire Heathen community performed a days-long ritual in his honor, erecting a 20ft god post. And for two Wednesdays in a row now, there’s been news that’s felt pointed in either its direct association with him (such as the announcement of this hoard of bracteates), or associated symbolism (such as the suspected electrical fire at this “Midgard’s” church on the island of Grímsey). Then today (as of the time of writing), this video of a Spiritualist who allegedly channeled Odin was shared in a group chat I’m on.

 

The bread has split, the ink has spilled, the mirror in the empty room is broken. But what could it mean?

Winter is Coming, Winter is Here, Winter is Coming Back for Another Go

I’ve followed the Old Man for over a decade and a half now. But even though I am very much “Team Odin”, I also know he has a tendency to become more prolific during “interesting” times.

Take the Migration Period, for example.

The Migration Period was not an easy time to live in. Peoples migrated and fought over resources. A volcanic eruption in 535-536 caused a dust veil thick enough to darken the sun enough that crops failed for at least two years in a row. And in those days of death and desperation, the warband religion of a certain one-eyed god of spears seems to have made its way north and into the elite centers of power.

Before that (in another time of death and desperation), his hands were probably guiding the spears of the Germans and Celtiberians led by a couple of one-eyed leaders who fought against Rome (Enright 217-240).

And before that, who knows?

Something tells me though, that it was probably another time of death and desperation. With this in mind, this new rise of the Spear God doesn’t exactly fill me with comfort in our time of plague, climate crisis, and burgeoning far right movements.

Death Will Make a Door

The final point I want to make today, is that times in which there is a lot of death, are times in which the dead and otherworldly tend to draw closer. If you’ve ever read about times of mass death in human history, you may have noticed that there are usually a lot of strange goings on reported during those times, as well as humans getting involved in strange cults and practices. If that kind of thing interests you, here are some folktales from the time of the bubonic plague. Pay attention to the kinds of beings sighted in conjunction with the plague, as well as the plants and days mentioned in the purported cures. Some of them are downright other.

They really shouldn’t have killed that stag.

Until the next time, good humans!

Be well.

Books Cited
Enright, Michael J. Lady with a Mead Cup: Ritual, Prophecy, and Lordship in the European Warband from La Tène to the Viking Age.
Jung, Carl and Shamdasani Sonu, The Red Book/Liber Novus: A Reader’s Edition

Hellier 2: Familiar Paths and Thoughts (Major Spoiler Alert)

Hellier: Initium

‘Initiation’ is a funny old word, isn’t it? It’s something I haven’t been able to stop thinking about since I finished watching Hellier season two.

There are a number of threads that need to be teased out here, but the one I will follow for now is the one that came after a number of occultists messaged the team to let them know they were taking part in an initiatory ritual writ large (as well as a hypersigil, but we’ll get to that later).

‘Initiation’ may be a funny old word. But words are ‘funny’ in of themselves; each one carries both meaning(s) and baggage.

The word ‘initiation’ carries a lot of baggage, largely bringing to mind (human) initiates and (human) candidates for initiation. So it’s entirely unsurprising that when the various occultists contacted the team to let them know they were taking part in an initiation, that they began to think of themselves as candidates for initiation.

But in its earliest Latin form, initiation is simply the beginning of something, and when it comes to Hellier, I think the better question to ask here is “initiation of *what*?” (rather than “initiation of/by whom?”).

Portals and Tones

It’s easy for me to come along after the fact (and away from the intensity of the Hellier Project), and act like this stuff is obvious. But things like this often aren’t obvious when you’re in the middle of them. It’s only afterwards or with the aid of outsider perspective that they become so.

To my mind, it’s the tones revealed during the Estes Method experiment with Dana and the talk of the door/gate during Karl’s trance session that make the best sense for the ‘underlying story’ of what was going on. Because in my opinion, the ‘initiation’ is initiation in the oldest sense of the word, and the beginning the kind of beginning brought by the opening of a way between.

Gates and doorways are symbolically rich structures, creating both liminal spaces between that are neither here nor there, but also delineating axes wherever they are constructed. What remains behind a closed door is always a mystery until it is opened, and what may lie on the other side of the door/gate/portal is not explored as fully in Hellier as it perhaps should have been. There is also little in the way of discernment with regards to the spirit contacts made, but that is another matter.

For my own part, I find it curious that the residents of Pulaski county (the location of Somerset) are so well-represented in the local mental health institution, and I see a parallel here with the delusions associated with the more mental symptoms of elf affliction recorded in the Old English magico-medical journals. That’s not to say they are what we would call elves (although some of their style of communication as relayed through Connor, with their use of color and weighty words, did remind me of some of my own experiences communicating with elves). However again, there is no way to know this.

Initially, Hellier has something of a Missing 411 feel to it. There is that paranormal Rorschach test vibe(as Joshua Cutchin would put it), however as the series goes on, the alien hypotheses are gradually abandoned (or at least the interpretation of what aliens are, modified). By the end of the series though, we find ourselves very firmly among the otherworldly as opposed to the children of other (extraterrestrial) worlds.

The Tunnel Rat, the Hound, and the Abyss

Also of interest here is the Terry Wriste thread, with the “UFOnauts” and Thelemic gematria angle. Terry seems to have played into the Orion/Sirius rivalry uncovered by Greg, hunting down non-human entities through the underworld of the US as he had when working as a ‘tunnel rat’ hunting Viet-cong. His performance of the Star Sapphire ritual (as well as the blue star balloons that showed up), is quite fascinating when considered from this perspective.

The Star Sapphire ritual is quite interesting on a number of levels. But the most curious to me is that the Thelemite commentary I’ve read suggests the *purpose* of the rite is something of a mystery. I am not and nor have I ever been a Thelemite and so I am very much spitballing outside of my wheelhouse here. However, from my completely unqualified view (and a few hours reading commentary), it looks like a possible method of ‘bungee jumping’ into the ‘abyss’ or somewhere else (I don’t know, because again, not a Thelemite) depending on which signs are made during what I would call the ‘cosmos recreation’ section of the rite. If this interpretation is true, then I have to wonder what Terry Wriste was doing and where he was metaphysically bungee jumping to.

Or perhaps not? From all accounts, Terry seems to have never left the tunnel rat life behind.

In the final episode, the team receives a major breakthrough in the form of Connor cracking the numbers that Terry gave them and that were previously believed to be coordinates. Instead, Connor reveals this mysterious series of numbers to be a chapter and verse reference from Crowley’s book of the law:

“Lurk! Withdraw! Upon them! this is the Law of the Battle of Conquest: thus shall my worship be about my secret house.”
Book of the Law, Ch. 3, Vs. 9.

This is something which Tyler quickly recognizes from Allen Greenfield’s book Secret Cipher of the UFOnauts and more specifically, the chapter believed to be written by Terry Wriste himself.

’11. How to Defeat the UFONaut Body Snatchers: The Law of the Battle of Conquest’

Here, Terry details (as the chapter title suggests), intelligence gained from communication with a spirit called Kyla (apparently of Procyon), and ways in which the ‘UFOnauts’ might be countered. These methods are both magical as well as physical:

‘Carry to the Alien Nest the Law of the Adepti and the Knowledge of the Portal and, as Andrews puts it, “ …in the Golden Dawn Enochian system, the Great King of Air is the appropriate intermediary to be called upon as a benign go-between in negotiations between Earthlings and extra-terrestrials.” The Great King of Air, in the Enochian Language, is called “BATAIVAH” and is invoked by the 2 = 9 Grade Opening in the System of the A.A. All Adepti know this. But a 9mm pistol in your pocket wouldn’t hurt either. ‘

This chapter also contains mention of the Star Sapphire ritual, of which Terry writes:

‘The ritual, called “The Star Sapphire,” is the revelation to the initiated of the key Secret of the magick of the conquest of the universe.’

The imagery of the blue star follows the team throughout the course of the investigation too. Allen Greenfield connects the blue star with Sirius (the ‘dog star’), and the team notes a sense of animosity towards dogs in particular from the kinds of beings possibly resident in the caves. Animal deaths  and especially those of dogs seem to be quite common in areas where certain types of paranormal activity is taking place. As a ‘tunnel rat’ that seems to have continued to hunt ‘UFOnauts’, there seems to be something very ‘hound of god’ about Terry Wriste and his continued hunts down in the dark, subterranean parts of the earth. I will be curious to see if Terry makes further contact with the team and what his feelings were on the ritual that was performed.

Familiar Threads

While watching Hellier season two, I found many threads that were all too familiar to a number of witchy types in my friend circles.  The themes of being guided to incredibly effective new (old?) magic,  star lore, appearance of Michael in relation to otherworldly beings (accompanied by similar possessory traits to those I have witnessed  IRL), and the deep deep roots of the beings involved, are all things I and my friends have encountered over the course of the past three years. I don’t necessarily track the green man history the same way as Greg does, but many of the beings who have shown up in my life since the otherworldly started to become more present are of similar ancient provenance (I believe). I see their faces in the ancient cave drawings of places like Lascaux as clearly as Greg did his.

The Spectator’s Role

Finally, there is the question of the show itself as a hypersigil, and the wider effects of putting something like this into the world.

Ritual is experienced on multiple levels, depending on the role played by each participant. Dana, Greg, Connor, Karl, and Tyler may have actually done the ritual in the final episode, but I firmly believe that rituals do not simply exist in one layer of time. A ritual is a layer of ‘law’ or story being set down in the well, and every successive repetition only adds to the continuity and strength of that ‘law’ or story. Even as spectators watching after the fact, the emotion and energy we put into watching the ritual adds to the layers, and in doing so, strengthen the story being told.

Which makes it important to understand the underlying purpose of the ritual if we are to participate in this way.

Final Words

I don’t think any of us will ever know for certain what the real initiation was during the ritual that was Hellier 2. But for me, it will always come down to tones being played in a liminal cave and a gate, and as a proponent of what might be termed ‘restoration’, I was fine with that.  Ironically, if I’m right, the ‘restoration’ effort may have gained a huge boost in the accessible nature of the Hellier Project. Fans are already stocking up on investigative equipment and beginning to make use of ciphers and other tools shown in Hellier 2.

As a final note, I write this with my not-yet-literate child by my side (she’s just getting over a nasty bug). It is, at least at first glance a peaceful scene. The day outside is bright and trees still blaze with their late-Fall colors. But I cannot help but notice the Rapunzel my daughter is coloring as I type.  Unlike myself, my daughter is enamored of all things pink and princess, yet her Rapunzel uncharacteristically has a green face and she’s colored the once-pretty eyes into round, purple pits.

What was it Karl said in trance about those green men again?

 

Doorways

Doorways - Doorway

Introduction To Ranting About Doorways

Doorways are interesting things, and in my opinion, they’re also rather underrated and underused in modern magic. Well, at least from what I’ve seen

doorways - Cyprian
Please cool kids, come back! I’ll give you moar necromancies!

anyway. Which you know, considering that I’m the kind of person to either work in ridiculously niche groups or alone, that’s not saying a whole lot. I mean, for all I know, you’re all rocking the doorway-thing, and it’s way bigger among the cool kids than St Cyprian was a few years ago.

(Please tell me this is true?)

But things were quite different in Heathen period Northwestern Europe. For one thing, they didn’t have the internet to start massive “witch wars” on. Nor did they have convenient sandwich makers upon which to create endless grilled cheese sandwiches to get fat on.

Life was just different back then.

Doorways - mound
Tadaa!!!!

One thing they did have though, was burial mounds. Yes, wonderful, boob-shaped containers for the dead. (Or pudendas. Honestly, whichever junk-based imagery you like best is good here).

And some of those wonderful bosoms of final doom also have what appear to have been post holes in front of them. Or more specifically, post holes for (most likely) doorways.

Now this may sound like completely irrelevant bollocks, but it’s  not, and to find out why, you need to stick with me through a minor detour.

Oh Look! A Conveniently Labeled Digression!

So, these pudendas of death didn’t just have post holes. No, some of them also have what appear to have been ditches. And moreover, pollen analysis of some of those ditches demonstrates that they used to be filled with water for at least part of the year. This would have turned these mounds into temporary, de-facto islands of the dead.

Doorways - boat
I was looking for “boat burial” and this came up. This is better. This is far better                                                                             

When you factor in the amount of European death lore that describes the dead crossing over water of some kind to the afterlife, it’s not hard to see the applications for all kinds of dead-related activities here.

The point I’m making with this digression?

We often build our holy places with ritual and cosmology in mind. If you want to figure out ritual and cosmology, it’s good to look at the holy places.

YAY!!!! The Return of the Original Point!

Now, a bunch of post holes wouldn’t really be anything, and we wouldn’t necessarily guessing that they’re door posts were it not for a continuous thread of ritual doorpost usage connected with the dead.

Moving forward in time to the Viking Age (you know, that time period all the

Doorways - Doorway
Imagine a relative buried in your doorway. Every time you walk over it they get to see…Imma stop now.

bros like to fap off over), you have the doorway burials of the Viking age. You see, some folks back then would actually bury the people they wanted to stick around post mortem in the doorways of their homes.

Well, there’s nothing like  keeping the family together, amirite?

As you might expect though, this backfired sometimes. Most usually when the person you unwisely decided to give visitation rights to was a raging dick in life. You see, rule number one of ‘Necromancy Club’ is that a rabid cockwomble in life is sure to be a rabid cockwomble in death.  People don’t just automatically become wise and loving ancestors; there’s a process for that in most cultures that still have coherent ancestor cults.  Unfortunately, most of us in modern WEIRD Pagan communities come from cultures where the death rites were taken over by some imperialist death cult that worships a dead dude on a torture/execution device. So, to say that our ideas on all of the above can be a little fucked up and unhealthy is something of an understatement.

But anyway, doorways!

They were a thing in the foul arte of necromancy back in the day. (Although to be fair, it was probably just called “going to ask Aunt Guðrún about that there thing we were talking about”.)

“Wake aunt Guðrún, wake auntie good.
At the back door I call you (to ask you where our fucking sheep went)”

And she’d bitch you out, call you crazy, and then tell you want you need to know. That’s a filch of an actual invocation btw. It’s from Svipdagsmal, and yes, it mentions doors.

The Final Point!

Aye, so doorways are interesting things. To stand between doorposts is to be neither in nor out, neither here nor there. It is to stand in a liminal place in which things may be seen, and through which things may pass (albeit when engineered a little bit…)

Doorways - Druidenhain
Here’s one I made earlier. Ok, so it wasn’t really me. Not this one anyway.

One of the best things about doorways too is their availability, so you don’t need to drop a load of cows or bling on obtaining fancy schmancy stuff. Because if you don’t have any kind of doorways and don’t have access to some woods where you can create arches in the trees to work in, then you’re probably a fair way up shit creek and should be working on other stuff first.

So yeah…give it a go.

The first time I tranced in a doorway, my garden filled with mist, a storm blew in, and I heard screams on the wind. I’m not claiming the storm here, but to hear the screaming on the winds of a storm that had taken lives on its way across the land before hitting my area? Would I have heard them had I not been trancing in a doorway? Who knows! But still. Doorways are useful things in magic, and they have the benefit of being easy to get out of if things become a bit much.

Don’t like seeing what you’re seeing? Go in and close the door. Make sure your wards are awesome. Good times!

Well, that’s it for me today. I’m currently in the middle of packing for going to Iceland where I’ll be co-hosting this trip with Morgan Daimler!